Lugares de interés (POIs) del Mapa
48: Medina, Al-Masjid al-Nabawi 7-20th cent
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Medina, Saudi Arabia
al-Masjid al-Nabawi. The Prophet's Mosque and Tomb
622 to the 20th cent
Architect Dar El Handasah
Photos copyright and Text see Archnet.orgThe Mosque of the Prophet was built in 622 by the Muslim community after they reached the city of Yathrib, which would later be called al-Madina al-Muanwara. The mosque was situated next to the Prophet's house, and it consisted of a square enclosure of thirty by thirty-five meters, built with palm trunks and mud walls.
After the death of the Prophet, the mosque was enlarged to twice its size. In 707, by Umayyad Caliph al-Walid (705-715). Mamluk Sultans built the dome over the Prohets house and tomb and built and rebuilt the four minarets. The Ottomans (1517-1917) added and reconstucted the mosque until in the 20th cent the entire complex was remodeled and enlarged. - The mosque enclosure is one hundred times bigger than the first mosque built by the Prophet and can accommodate more than half a million worshippers.
Más sobre Medina, Al-Masjid al-Nabawi 7-20th cent50: Mecca, Al-Masjid al-Haram - Great Mosque of al-Haram 1564-1572, 1955
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Mecca, Saudi Arabia
al-Masjid al-Haram Great Mosque of al-Haram
1564, 1571-2, modern expansion in 1955
Ottoman
View of the mosque from the east after the first Saudi expansion, showing the minarets with two balconies and the four monumental gates.
Photo from Archnet.org
Más sobre Mecca, Al-Masjid al-Haram - Great Mosque of al-Haram 1564-1572, 195551: Sana'a 13th-18th cent
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Sana'a, Yemen
Sana'a is an architectural museum in its own right. Recently restored, its 13th-18th century buildings are unique.
Photo copyright and text see Archnet.org
Más sobre Sana'a 13th-18th cent52: Sana'a Great Mosque - Jami al-Kabir 705-715
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Sana'a, Yemen
Great Mosque - Jami al-Kabir
705-715
Omayyad
According to early sources, Prophet Muhammad commanded the construction of this mosque, including its location and dimensions, sometime around 630. While the validity of this claim lacks evidence and certainty, the mosque remains one of the first architectural projects in Islam. Sometime between 705 and 715, the Umayyid Caliph al-Walid I, rebuilt a new and larger mosque at the site.
Isma`ili Queen Arwa ibn Ahmad (12th cent) initiated an upgrade and restoration of the mosque. Towards this end she rebuilt its eastern wing complete with a new beautifully sculpted ceiling.
Interior with pre-Islamic columns
Coffered wooden ceiling (12th cent)
Text and photos from Archnet.org
Más sobre Sana'a Great Mosque - Jami al-Kabir 705-71553: Sana'a Imam Salah al-Din Mosque1390
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Sana'a, Yemen
Imam Salah al-Din Mosque
1390, minaret 16th cent
The Mosque contains tthe tomb of Imam Salah al-Din Muhammad. It dates to 1390. The mosque is well-known for its minaret. Constructed in the late 16th century by Ottoman governor Sinan Pasha.
Photo and text from Archnet.org
Más sobre Sana'a Imam Salah al-Din Mosque139054: Sana'a, Al-Bakiriyya Mosque 1597
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Sana'a, Yemen
Al-Bakiriyya Mosque
1597
Ottoman
The Mosque of al-Bakiriyya dates to 1597 during the first Ottoman rule of Yemen. It was built by the governor of Sana'a, Hasan Pasha, as a tribute to one of his friends who is buried next to the mosque. Nearby, off the public square in front of the citadel gate, Hasan Pasha also commissioned the Baths of al-Bakiriyya. This hammam served as the waqf to provide income to support the mosque. With its grand size and detailed carved ornamentation, al-Bakiriyya is a spectacular example of classical Ottoman architecture
Ornamented weight tower in the foreground with minaret behind to the right
Floor Plan showing the pendentives
Text and iImages from Archnet.org
Más sobre Sana'a, Al-Bakiriyya Mosque 159755: Qasr-ibn Warda 6th cent
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Qasr-ibn Warda
6th cent
Qasr ibn Wardan is a 6th century castle complex located in the Syrian desert. The complex - a palace, a church, and barracks - was built in the mid-sixth century by Emperor Justinian I as part of a defense line (together with Rasafa and Halabiyya) against the Persians. Its unique style, "imported" directly from Constantinople and not found anywhere else in present day Syria, was probably chosen to impress the local Beduins.
Photo by Forro Tibor from Panoramio
Más sobre Qasr-ibn Warda 6th cent56: Anjar 705-715
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Al Walid's Anjar Palace
705-715Rural pleasure palace of al-Walid I. A square walled complex resembling Roman-Byzantine army camps. Excavated 1957. A mosque, baths, service quarters, partly restored.
Photo by Gregory Zdaniuk from Panoramio
Más sobre Anjar 705-71557: Qasr al-Kharrana 710
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Quasr al-Kharrana
710
Omayyad
Lacking baths and a large water supply Qasr Kharana was not a pleasure castle. Its remote yet highly visible location, coupled with the layout and organization of the building, indicate that it was used as a protected place for the Damascus government to meet with tribal leaders.
Photo by ToniFarre from Panoramio
Más sobre Qasr al-Kharrana 71058: al-Minya 710
Palace of al-Walid I's (710). Square castle with round towers in the corners, a Mihrab, the cupola partly preserved, rich ornaments, floor carpet-mosaics.
Exact location uncertain
Más sobre al-Minya 71059: Qasr al-Amra 712 - 715
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Qasr al-Amra, Jordan
712-715Charming, well-preserved small "red castle" built for Omayyad Caliph al-Walid Architecturally the large throne room resembles a 3-nave Byzantine church. Attached are warm- and hot-steam baths. extensive murals - in poor shape - depict Persian Shah Khosrau, the remperor of Byzantium, and other famous rulers of the world (Persian influences?), the colors of the murals remind of those preserved from Dura-Europos (Museum Damascus). The surprise in the nudity-hostile Islamic-Arabic world, are the bathing and pleasure scenes in lovely garden murals: The pleasures of Paradise on this Earth!
Text and photo from Wikipedia
Más sobre Qasr al-Amra 712 - 71560: Qasr al-Hallabat and Sarakh Baths 709-750
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Qasr al-Hallabat and Sarakh Baths, Jordan
Omayyad Palace
709-750
Originally a Roman fortress constructed under Emperor Caracalla to protect its inhabitants from Bedouin tribes, this site dates to the second and 3rd century AD. It was one fort of many on the Roman highway, Via Nova Traiana, a route that connected Damascus to Aqaba by way of Petra and Amman. In 709 the Umayyad caliph Hisham ordered the Roman structures to be demolished in order to redevelop this military site and its neighboring territory to become one of the grandest of all Umayyad desert complexes.
Approximately 1400 meters east of the palace stand the remains of the mosque at Qusayr al-Hallabat constructed of layered limestone.
The bath located approximately two kilometers east of the main site is known as Hammam as-Sarakh and consists of a rectangular audience hall, and a bath. It is reminiscent of Qsar 'Amra in plan.
Text and photo from Archnet.org
Más sobre Qasr al-Hallabat and Sarakh Baths 709-75061: Kirbat al-Mafdjar 724
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Kirbat al-Mafdjar 724
Hunting and pleasure castle of Caliph Hisham (724-43) younger brother of al-Walid I. Most magnificent of Walid's castles. Heated baths (30x30 m!), caldarium with large mosaic floor, aqueduct, remnants of a minaret, palace mosque, great hall for audiences, fountain house with rich ornamentation. The most precious finds are in the Museum in Jerusalem.
Photo by jsahouri frrom Panoramio
Más sobre Kirbat al-Mafdjar 72462: Qasr al-Hayr al-Gharbi 724-743
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Qasr al-Hayr al-Gharbi
724-743
Pleasure castle of Caliph Hisham. Ruins, the finds including a reconconstructed entry gate are in the National Museum of Damascus.
Photo by saleemhaijjar from Panoramio
Más sobre Qasr al-Hayr al-Gharbi 724-74363: Qasr al Hayr ash Sharqi 740
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Qasr al Hayr ash Sharqi
Impressive ruins of a pleasure castle of Calif Hisham (7724-43).
Photo by saleemhaijjar from Panoramio
Más sobre Qasr al Hayr ash Sharqi 74064: Qasr al-Mshatta 743-734
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Qasr al-Mshatta, Jordan
743-734
As one of the largest and most impressive of the Umayyad palaces, the unfinished, tawny-toned limestone and brick complex at Qasr al-Mshatta includes an entrance hall, mosque, an audience hall, and residential quarters. Commissioned by the Umayyad caliph al-Walid II. Construction concluded in 744 when he was assassinated. "Winter Camp" is a large square "castrum" of 144x144 m wall length.
Photo and text from Archnet.org
The most beautiful feature of Mshatta, however, remains in the rich and intricately carved features on its southern exterior, a significant section of which was given to Kaiser Wilhelm as a gift from the Ottoman sultan 'Abd al-Hamid just before World War I . These reconstructed ornamental sculptures from the gates are the piece-de-resistance of the Islamic Museum in Berlin:
Photo from Wikipedia
Más sobre Qasr al-Mshatta 743-73466: Jerusalem Dome of the Rock 687-691
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The Dome of the Rock, Masjid Qubbat As-Sakhrah
687 - 691
The Dome was built between 687 and 691 by the 9th Caliph, Abd al-Malik, making it the oldest extant Islamic building in the world. It is in the shape of a Byzantine martyrium, a structure intended for the housing and veneration of saintly relics and is an excellent example of middle Byzantine art. During the reign of Suleiman the Magnificent (1520 - 1566) the exterior of the Dome of the Rock was covered with Iznik tiles. The work took seven years.
The rock in the center of the dome is the spot from which, according to Islamic tradition, Muhammad ascended for a night-long journey to Heaven in AD 621, accompanied by the angel Gabriel.
In 1955-1964 an extensive program of renovation was begun by the government of Jordan, with funds supplied by the Arab governments and Turkey. The work included replacement of large numbers of the Iznik tiles. In 1960, as part of this restoration, the dome was covered with a durable aluminium and bronze alloy made in Italy.
Photo from Wikipedia
Más sobre Jerusalem Dome of the Rock 687-69167: Damascus Omayyad Mosque 706-715
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Damascus
The Great Omayyad Mosque
706-715
During Roman times the site was a temple of Jupiter which was in the Byzantine era converted into a Christian church dedicated to John the Baptist. The Muslim conquest of Damascus in 636 did not affect the church, as the site was shared by Muslim and Christian worshippers. The Umayyad caliph Al-Walid I purchased the site and demolished the church. He built the present mosque between 706 and 715 with the help of 200 skilled Byzantine workers: e.g., the mosaics in the overlong (136 x 37 m) prayer hall. Most of this interior decoration was lost in a great fire in 1893. The mosaics on the outside are of recent date.
The building is a simple solution for the Islamic need for a space in which all could face Mekka and see the quibbla. It has been copied in a number of places (e.g. the Great Mosque of Diyarbakir, Turkey). Another early scheme to achieve the same goal is the Mesquita in Cordoba, Spain.
Interior
Photo kaizergallery.com
Floor plan from Archnet.org
Más sobre Damascus Omayyad Mosque 706-71568: Cordoba Mesquita 785-987
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Cordoba Mesquita
The Great Mosque of Cordoba 785-987 The construction of the Mesquita (originally the Aljama Mosque) took over two centuries, starting in 784 A.D. under the supervision of the first Emir Abd ar-Rahman I, who built it as an adjunct to his palace - and named it to honor his wife - on the site of the Visigothic cathedral of St. Vincent. The mosque underwent numerous subsequent changes: Abd ar-Rahman III built a new minaret, while Al-Hakem II, in 961, enlarged the plan of the building and enriched the mihrab. The last changes were carried out by Al-Mansur Ibn Abi Amir in 987.
Photo by Jorgen K H Knudsen Panoramio
In 1236 Cordoba was "liberated" by King Ferdinand III of Castile. The Mesquita was reconsecrated as a Christian church. Alfonso X oversaw the construction of the Villaviciosa Chapel and the Royal Chapel within the structure of the mosque. The most significant alteration was the construction of a Renaissance cathedral in the middle of the structure by Charles V (1530s). Still this reversion to a Christian church (officially the "Cathedral of the Assumption of the Virgin") may have preserved the Mesquita. Charles V is known to have greatly admired the Mesquita.
The Mesquita is one of the most beautiful sacred spaces in the world, and Charles V's insertion of an entire cathedral only underscores the peace and quiet of the Islamic architecture.
Photos and plan Alfred Renz, op. cit.
Más sobre Cordoba Mesquita 785-98769: Cordoba Medina Azahara 936-948
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Medina Azahara (Medinat al-Zahara)
936-948
The ruins of al-Zahara were discovered in 1911. Only about 10 percent has been excavated and restored. The city flourished for approximately 80 years. Built by Abd ar-Rahman III the Caliph of C�³rdoba starting between 936 and 940. The largest known city built from scratch in Western Europe. Madinat al-Zahra was destroyed in 1010 during the civil war that led to the dissolution of the Caliphate of Cordoba. Abd al-Rahman III moved his entire court to Medina Azahara in 947-48. - Popular legend holds that the Caliph named al-Zahra, or Azahara, after his favorite concubine.
Photo and text colgate.edu
Más sobre Cordoba Medina Azahara 936-94875: Samarra, al-Muttawikil 847-892
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Samarra, Iraq
al-Muttawikil
847-892
Abbasid
Al-Mutawakkil commissioned the construction of the Great Mosque of Samarra upon his succession to the Abbasid caliphate in the mid-ninth century. While the outer wall still stands, little remains of the interior of the mosque today.
The main remaining curiosity is the Minaret al-Malwiya, approximately 55 meters high. Although round in shape, this minaret is influenced by a specific type of Mesopotamian ziggurat, square-planned and featuring stairs or an incline on the exterior of its fa�§ade while rotating several times until reaching the crown.
Photo and text Archnet.org
Más sobre Samarra, al-Muttawikil 847-89276: Damghan, Masjid-i Tarik Khana 750-789
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Damghan, Iran
Masjid-i Tarik Khana
750-789
Abbasid
The oldest extant mosque in Iran, the Tarik Khana, or 'House of God' incorporates a simple Arab plan with Sassanian construction techniques. An arcade lines the central courtyard, a single bay deep on all but the qibla side where it increases to 3 bays. The central aisle on the qibla arcade is wider and taller than the others, a form that presciently indicates the later ubiquitous monumental axis of Persian architecture. The arcades, recalling Sassanian precedents, are formed of fired brick arches, elliptical and sometimes slightly pointed, and massive circular brick piers.
Photos and Text Archnet.org
Interior
Más sobre Damghan, Masjid-i Tarik Khana 750-78977: Ktesiphon Taq-i-Kisra 7-8th cent?
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Ktesiphon, Iraq
Taq-i-Kisra
7-8th cent?
Phtoto Livius.org
Seleukia-Ktesiphon consisted of two cities, Seleukia on the left and Ktesiphon on the right side of the Tigris. It was the residence of the Parthian and the Sassanidian kings. Together the two cities had a population of 500 000. With the foundation of Baghdad in the 8th cent AD the city lost its importance.
The last remains of Ktesiphon is the great arch of Taq-i-Kisra ("Arch of Chosrau") (Sassanid, 7-8th cent?). The technology of erecting large arches over square or rectangular bases seems to have come with the Parthians from Khorassan. The Romans only knew how to erect copulas on circular tambours. The "Iranian" cupola using spherical Pendentives reached Byzantium in the 6th cent (Aghia Sofia) and Western Europe only in the Renaissance (Brunelleschi's dome in Florence). See also Bukhara.
Más sobre Ktesiphon Taq-i-Kisra 7-8th cent?78: Cairo, Ibn Tulun Mosque 870-879
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Cairo
Ibn Tulun Mosque
870-879
Tulunid
This mosque built for Ahmad ibn Tulun, is a rare and unique architectural expression of the cultural influence of al-Andalus and Samarra's al-Muttawikil (847-892), Ibn Tulun's home. The minaret is, obviously a Cairene copy of al-Muttawikil, but the mosque is built entirely of well-fired red brick faced in carved stucco; it has ziyadas and a roof supported by arcades on piers. Andalusian influence, which came with refugees from Spain, is manifested in the use of double-arched, horseshoe windows.
View of the large complex.
All Photos and text from Archnet.org
The spiral minaret
Andalusian horese-shoe door. Entry to minaret.
Más sobre Cairo, Ibn Tulun Mosque 870-87979: Cairo Al Azhar Complex 970-972
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Cairo, Egypt
Al Azhar Mosque
970-972
Fatimid<
First Fatimid mosque in Cairo. The Mosque was founded by Jawhar al-Siqilly, the Fatimid conqueror of Egypt, in 970 as the congregational mosque for the new city of al-Qahira. The first khutba was delivered from its minbar in 972. A university was established there in 988, one of the oldest universities and to this day the most influential Islamic school in the world.
The courtyard was originally enclosed with three arcades. Caliph al-Hafiz (1138) added an arcade around all four sides of the courtyard, displaying keel-shaped arches, roundels, and keel-arched niches.
Text from Archnet.org
Photo from islamicarchitecture.org
Más sobre Cairo Al Azhar Complex 970-97280: Cairo, Mosque of Caliph al-Hakim bin Amr Allah 990-1004
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Cairo, Egypt
Mosque of Caliph al-Hakim bin Amr Allah
990 - 1004
Fatimid
the Mosque of al Hakim was begun by the Fatimid Caliph al-'Aziz in 990 and finished by his son al-Hakim bin-Amr Allah and his overseer Abu Muhammad al-Hafiz 'Abd al-Ghani ibn Sa'id al-Misri in 1013.
Text, plan, and photo from Archnet.org
Isometric view
Más sobre Cairo, Mosque of Caliph al-Hakim bin Amr Allah 990-100481: Bukhara Samanid Mausoleum 914
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Bukhara
Samanid Mausoleum
914
The Samanid Mausoleum in Bukhara, built by Nasr ibn Ismail (914) square canopy tomb is the earliest Islamic monument in Central Asia. It exhibits especially the unique architectural solution of the support of the dome, which differs from Westen examples.
The technology of erecting large parabolic arches or domes over square or rectangular bases seems to have come with the Parthians from Khorassan. The Romans only knew how to erect copulas on circular tambours. The "Iranian" cupola using spherical Pendentives reached Byzantium in the 6th cent (Aghia Sofia) and Western Europe only in the Renaissance
Photos from http://ocw.mit.edu
The unique eastern squinch (Pendentive) in the support of the dome on a square base.
Más sobre Bukhara Samanid Mausoleum 91482: Balkh No-Gumbad Mosque 925
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Balkh, Afghanistan
No-Gumbad Mosque
925
Abbasid-Samanid
The Nine Domes Mosque (Masjid No Gumbad) 925, also known as Masjid-i-Hadji Piyada in Balkh. This exquisitely ornamented mosque is the earliest Islamic monument in Afghanistan. The mosque is in ruins, Its nine domes have collapsed.
The forest of stucco-covered columns, standing in 3 feet of rubble is still extant.
Photo and floor plan from Archnet.org
Floor plan
Más sobre Balkh No-Gumbad Mosque 92583: Na'in Masjid-i-Jame 960
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Na'in, Esfahan, Iran
Masjid-e Jame
960
Buyid
Typical of pre-Seljuk mosques, the Masjid-i-Jame at Na'in exhibits a simple hypostyle plan, which has remained uncomplicated despite the additions and alterations of subsequent years. A courtyard is accessed through the arcades that are built from bays of irregular spacing and number. The courtyard fa�§ade probably dates to reconstruction work of the Seljuk period, although the most unusual feature - the angled piers flanking the central nave on the southwestern (qibla) side - is dated to the original period of construction.
The minaret represents an important transition from the early square form to the Iranian minarets of the 11th and 12th centuries. Maintaining the early square plan at the base, a tall tapering octagonal mid-section rises to a short cylindrical shaft.
The Masjid-e Jame at Na'in is renown for the extensive and masterful carved stucco of the mihrab and adjacent bays, including the oldest extant epigraphic friezes in Iran. Stylistically it bridges the stucco decoration of the Sasanian and Abbasid periods with that of the Seljuks.
Photos and text from Archnet.org
External view from the southeast including the mirab:
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Elaborate carved stucco decorations around the mirab
Más sobre Na'in Masjid-i-Jame 96084: Ardestan Masjid-i Jami 10-11th cent
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Ardestan, Esfahan, Iran
Masjid-i Jami
10-11th cent
pre-Seldjuk to early Seldjuk transition
Il-Khan-Mongolic(?) influences and Safavid dome (1539)
The current form of the mosque, consisting of a four-iwan courtyard surrounded by arcades, represents the successive work of several building periods. The earliest elements suggest an original pre-Seljuk hypostyle mosque, into which early Seljuks inserted a dome chamber and adjacent iwan (dated 1158 and 1160 respectively).
Text and photos from Archnet.org
Courtyard and arcades.
However, the arcades as they stand cannot be dated to the pre-Seljuk original, as they include domed and barrel vaults that display wide variety in brickwork, height, and shape, the supporting piers are also ranging in size and shape.
View of vaults in the oldest part of the complex (view through the arch to the southeast iwan)
The iwans and the dome other than that of the sanctuary appear to be either Safavid construction or reconstruction; an inscription in the northwest iwan cites restoration in 1539.
The earliest stucco fragments, found in the western corner of the courtyard, have been dated to the end of the tenth century. The interior of the dome chamber and iwan are extensively covered in plaster. The dome and zone of transition are articulated with simulated brickwork; the iwan vault is uniquely faced with a complex stucco design of interlacing arabesques. The mihrab exemplifies skilled stucco carving, and may represent Mongol restoration.
Detailed view of the stucco near the mihrab
Más sobre Ardestan Masjid-i Jami 10-11th cent85: Damghan Chihil Dukhtaran Gunbad Tomb 1056
This marker is part of an extended History of Islamic Architecture
Damghan, Iran
Chihil Dukhtaran Gunbad
1056
Seldjuk Tomb
Built in the year 1054-55, this monument is the second oldest remaining tomb structure from the time of Tughril Beg (1040-1063), the first Seljuk monarch.
Photo from Archnet.org
Más sobre Damghan Chihil Dukhtaran Gunbad Tomb 105686: Konya Alaeddin Mosque 1219-1238
This marker is part of an extended History of Islamic Architecture
Konya, Anatolia
Alaeddin Mosque, 'Ala al-Din Kayqubad I Camii1150-1220,
Seldjuk
Evidence of an early building program dates from the time of Mesud I. An inscription dates the fine, ebony minbar to 1155; the minbar is the first dated example of Seljuq art in Anatolia. The polychrome ceramic frame of the mihrab and the dome above may date to this period.
Kaykaus I began a major rebuilding program in 1219. He changed the main entrance from the west to the north, opposite the mihrab. He added a monumental fa�§ade on the north side, overlooking the city and facing the Seljuq palace. A marble tomb was begun in the courtyard. Kaykausâ�� building was cut short by his death in the same year, only to be resumed thereafter by his brother and successor Kayqubad I.
With the exception of Izzeddin Keykavus, all of the Seljuk sultans after 1156 are interred in the complex.
Photo from Wikipedia
North facade. The white stone columns are reused from a Byzantine building.
Text and photos from Archnet.org
Interior: the peristile prayer hall.
Más sobre Konya Alaeddin Mosque 1219-123887: Konya Karatay Medresa 1251-1252
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Konya, Anatolia
Karatay Medresa
1251-1252
Seldjuk
Its portal displays alternating stones of light and dark, a sign of Syrian influence. A copy of the portal of the nearby Alaeddin Mosque. The entrance is through a somewhat truncated muqarnas niche, and leads in to a large room with a tiled iwan at one end. It is surmounted by a tiled dome open to the sky. Directly below the oculus is a pool for rain water . The transition from the square room to the round dome is accomplished by way of Turkish triangles intracately decorated in black, white, and turquoise tiles. Today the Madrasa serves as a tile museum.
Text and photos from Archnet.org
The polychrome marble entry.
The tiled dome.The triangular penditives, known as Turkish triangles, are an architectural speciality of the Rum Seldjuks.
Photo Rolf Gross 1990
Más sobre Konya Karatay Medresa 1251-125288: Konya Ince Minareli Medrese 1260-1265
This marker is part of an extended History of Islamic Architecture
Konya, Anatolia
Ince Minareli Medrese, Dar al-Hadith
1260-1265
Seldjuk
The Ince Minareli Madrasa takes its name from what was once its extremely tall minaret, currently reduced to only the lower portion. Much of the minaret collapsed in the early twentieth century. The lowermost portion of the minaret is square and built of stone, which gives way to a brick cylinder, which must have formed the bulk of its height. The brick was once covered in green tile.
However, the extraordinary feature of this medresa is its sculptural decorations.
Main Portal with folded inscription.
Photos from Archnet.org
Base of the minaret.
Más sobre Konya Ince Minareli Medrese 1260-126589: Konya Mevlana Tekke 1270s, 1512-1520
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Konya, Anatolia
The Mevlanan Tekke
1270s, 1512-1520
Seldjuk, Ottoman
The green-domed mausoleum of Sufi mystic and poet Jalal al-Din Mohammad al-Rumi (1207-1273, known as Rumi or Mevlana) is the heart of the convent in Konya that includes a mosque, ritual hall (semahane), dervish cells and kitchens in addition to numerous other tombs and cemeteries. The site, a royal rose garden to the east of the walled city, was a gift in 1228 from the Seljuk sultan to Mevlana's father, theologian Baha al-Din Walad of Balkh (d. 1231), who chose to settle in Konya after his long flight from the Mongol army then approaching his hometown.
The earthen graves of Mevlana and his father were soon after Rumi's death covered with a shrine, and a Tekke (takiyya) was built around the tombs to house the Mawlawi brotherhood.
The first tomb built over Mevlana's grave, a simple domed structure, was commissioned in 1274 by Gurcu Hatun, wife of Seljuk vizier Suleyman Pervane and built by Tabrizi architect Badr al-Din. In 1397, Karamanid ruler Ala' al-Din Ali Bey (1361-1398) replaced the dome with the sixteen-sided conical crown covered with green tiles. The shrine grew with additions and redecorations during the rule of Ottoman sultan Bayezid II (1481-1512). Between 1983 and 1987 the complex was extensively restored.
For a collection of 129 beautiful images see
Archnet.org Photos of the Mevlana Museum to which I owe the following images - except the first.
First visit to Konya photo Rolf Gross, 1954. On the right the Selimiye Mosque.
Essentially the same view 1970. All following photos from Archnet.org
View from west showing lead-covered domes of the Dervish Tekke, with its chimneys. The green tiled Turbe of Rumi's shrine is seen behind.
Western wall of shrine facing the takiyya courtyard, with tomb of Sultan Velid seen in front.
The gilt sarcophagus of Mevlana and his son Sultan Veled.
Más sobre Konya Mevlana Tekke 1270s, 1512-152090: Konya Selimiye Camii 1558-1567
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Konya
Selimiye Camii
1558-1567
Ottoman
Built by Sultan S�¼leyman I or by his son Selim II as prince.
Photo from Archnet.org
Más sobre Konya Selimiye Camii 1558-156791: Aksaray Ulu Camii 11th cent.
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Aksaray
Ulu Camii
11th cent
Seljuk
This is the rare case where Archnet.org lets me down. They should add a page for the Seljuk Ulu Camii. The following photos by Dick Osseman show that it is worth the architectural attention
Photos fromDick Osseman, Aksary
Más sobre Aksaray Ulu Camii 11th cent.92: Agizkara Han Caravansaray 13th-14th cent
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Agizkara Han near Aksaray, Cappadocia
Caravansaray
13th-14th cent
Seldjuk
The religious compounds of Islam alaways contained buildings which seved social purposes: besides medrese, Islamic schools, there was usually a "hospital" primarily to care for the mentally ill - who spoke in tongues! - soup kitchens for the poor, and a caravanseray to accomodate travelers and their camels. The income form which helped support the külliye foundations. - Before the 14th cent Byzantine Orhodoxy had similar institutions in a few places.
The Seldjuks built a number of such Hane along the caravan routes in Turkey. One near Akseray is shown below..
Photos Archnet.org
Más sobre Agizkara Han Caravansaray 13th-14th cent94: Sivas, Ã?ifte Minareli Medrese 1271
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Sivas, Turkey
Ã?ifte Minareli Medrese
1271
Il-Khanid - Seljuk
All that remains of the �ifte (double) Minaret Madrasa in Sivas is the front façade, with its monumental portal in limestone and marble topped by the twin polychrome brick minarets that give it its name. Built in 1271 by Ilkhanid Vizier Semseddin Cuveyni (Shams al-din Juwayni), it was once a madrasa with four iwans centered around a two-storey courtyard.
View of Ã?Â?ifte Minaret Madrasa (left) and Izzeddin Keykavus Hospital (right), with Kale Mosque in the background, looking north
Text and Photos Archnet.org
Más sobre Sivas, Ã?ifte Minareli Medrese 127195: Diyarbakir Ulu Camii 1091-1092
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Diyarbakir, Turkey
Ulu Cami
1091-1092
Architects Hibat Allah al Gurgani, Selame oglu Mehmet
The Great Mosque of Diyarbakir is the oldest and one of the most significant mosques in Anatolia. Following the Muslim capture of Diyarbakir in 639, a church in the city was used in part as a mosque. The church was eventually fully converted to a mosque, but the building fell into disuse and ruin. In 1091 Sultan Malik Shah directed the local Seljuk governor Maidud Davla to rebuild a mosque on the site. Completed in 1092, the mosque is similar to and heavily influenced by the Umayyad Great Mosque in Damascus (which was repaired by Malik Shah in the twelfth century prior to work in Diyarbakir). The influence of the Damascus mosque brought Syrian architecture and decoration to Anatolia.
included in the complex are the Mesudiye Medresesi (1193) and, not connected to the courtyard, the Zinciriye Medresesi (1189) .
The main prayer hall and minaret from the courtyard. The influence of the Damscus Omayyad Great Mosque is clearly visible.
Text and photo from Archnet.org
View of the western wing of the prayer hall.
Más sobre Diyarbakir Ulu Camii 1091-109296: Uc Kumbetler Three Tombs 1081-1102
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Erzurum
Uc Kumbetler
Three Mausolea
12th century
Saltukid-Seljuk
Two unidentified tombs, legend has it that the third is the mausoleum of Emir Saltuk Sultan, which woukld date it to the end of the 12th cent. Some scholars attribute the mix of Seljuk, Armenian, and Georgian styles of the masonry to the fourteenth century. The fusion of these styles makes this mausoleum unlike any other in Anatolia.
Photos and text from Archnet.org
Detail of a window in Emir Saltuk's Tomb remindful of contemporary 12th cent Armenian decorations, e.g. in Ani:
Más sobre Uc Kumbetler Three Tombs 1081-110297: Erzurum Ulu Camii 1179
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Erzurum
Ulu Cami - Great Mosque
Saltukid 1179
Architect: Abu'l-Fath Muhammed
The Great Mosque of Erzurum was commissioned by Saltuk Emir Nasrettin Aslan Mehmet in 1179. Substantial alterations took place in 1639, in 1839 by Sultan Mahmut II, in 1860, and the last in 1957-1964. These repairs have resulted in numerous modifications especially of the old dome. A portion of the central aisle and large sections of the qibla wall are remaining from the original Saltukid mosque.
Photo from Dick Osseman
An interesting feature is the timbered dome structure obtained by stacking planks in the way shown in the photo. This method was still in use in Georgia in the 19th cent. It may go back to Indian (Kashmir) and Central Asian (Serindia) practices of the 7th cent. AD
Photo from Archnet.org
Más sobre Erzurum Ulu Camii 117998: Erzurum Ince Minarets Medrese 1270s
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Erzurum
Ince Minarets Medrese, Hatuniye Medresesi
1275
The construction of this madrese, also known as the Hatuniye Medresa, has been alternately attributed to Hande Hatun, the daughter of Sultan Alaeddin Keykubad I (1220-1236), and to Padisha Hatun, the wife of Il Khanid Sultan Gaykhatu (1291-1295). The two attributions also suggest two different dates of construction: 1253 or 1290. Neither date is convincing, however, as it is more likely that the madrasa was completed before the demise of the Seljuk state in Erzurum in 1277, and after the Gok Madrasa in Sivas was built in 1271, a building which has been suggested as a model.
The medrese has two minarets remindful of Timurid medrese in Samarkand.
Recent photo of the medrese and the Uc Kumbetler Turbe behind it.
Photo by Struifje, Panoramio.
Text and floor plan from Archnet.org
Más sobre Erzurum Ince Minarets Medrese 1270s99: Cairo Citadel and Mosques 1176-1183.
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Cairo
Citadel and Mosques
1176-1183, enlarged in 13th-14th cent
Ayyubid, Mamluk, Ottoman
The large mosque visible on GE in the Ayyubid citadel is the much later Mehmet Ali Mosque (Ottoman, 1824-57)
Photo Archnet.org
Más sobre Cairo Citadel and Mosques 1176-1183.101: Tlemcen Great Mosque 1136
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Tlemcen, Algeria
Great Mosque
1136
Almoravid
The Great Mosque of Tlemcen was built by Sultan Ali ibn Yusuf in 1136. It is one of the best preserved examples of Almoravid archictecture.
For a details on the Mosque of Tlemcen seeMuslim Heritage, Tlemcen (the article cannot be copied!)
Más sobre Tlemcen Great Mosque 1136104: Fez, Masjid al-Qarawiyyin 859-60; 956; 1135;
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Help!: The location of the placemarker is Not on the mosque!!
Fez, Morocco
Masjid al-Qarawiyyin,
859-60; 956; 1135; 17th cent
Alawi, Almoravid, Idrisid
Fez was intimately linked to Islamic Spain - particularly after the 1492 Ferdinand's and Isabel's expulsion of Muslims and Jews from the Iberian Peninsula brought an influx of refugees into the city.
Visual references to the religious and palatine architecture of Islamic Spain are evident in the mosque's hypostyle plan, the 10th century square stone minaret (commissioned and funded by 'Abd al-Rahman III, the first Umayyad caliph of al-Andalus), and by the carved stucco, wood, and glazed tile (zilij) ornamental style derived from the Alhambra.
The Mosque of al-Qarawiyyin, is one of the world's oldest universities. Founded as a private oratory in 857 by Fatima, the daughter of a wealthy Qayrawani immigrant, the mosque is surrounded by madrasas, and was a major intellectual center in the medieval Mediterranean. Its prestigious academic reputation may have transcended religious divisions, if, as a popular tradition suggests, Gerbert of Auvergne (930-1003), who would become Pope Sylvester II and who is credited with introducing Arabic numerals to Europe, was once a student at al-Qarawiyyin. (from Wikipedia)
Photo Archnet.org
Más sobre Fez, Masjid al-Qarawiyyin 859-60; 956; 1135;105: Rabat, Hassan Mosque (ruins) 1184 - 1199
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Rabat, Morocco
Hassan Mosque (ruins)
1184-1199
Almohad
The Mosque of Hassan was founded by the Almohad ruler Ya'qub al-Mansur, who began the mosque in 1191, concurrently with the foundation of the city of Rabat. Eight years later al-Mansur died and the hypostyle mosque was left unfinished. The partly preserved minaret illustrates the monumental scale on which the mosque was designed. The minaret is square in plan, constructed of stone, and ornamented on each fa�§ade with four different compositions utilizing horseshoe arches and decorative panels with interlacing polylobed arches. These motifs are common to the other extant Almohad minarets that share the same visual characteristics: the Kutubiyya Mosque of Marrakech and the Giralda of Seville.
Text and photos Archnet.org
Más sobre Rabat, Hassan Mosque (ruins) 1184 - 1199106: Sevilla Giralda 1195
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Sevilla, Andalucia
Great Mosque - Cathedral of Seville
Giralda
1172-1176, Giralda 1184
The Great Mosque of Seville was begun in 1172 during the rule of the Almohad caliph Abu Ya'qub Yusuf ibn 'Abd al-Mu'min (1163-1184). The mosque was constructed of brick and plaster, and was rectangular in plan. Buttressed and crenelated walls enclosed the prayer hall and the rectangular arcaded Court of the Oranges, whose main entrance was known as the Puerta del Perdon. The minaret, which is known as the Giralda after the word for the weathervane placed on its summit, was built in 1184.
The Giralda, the Court of the Oranges, and the Gate of Pardon were integrated into the new composition of the new Gothic cathedral which was completed in the sixteenth century.
The minaret of the former mosque
Photos Rolf Gross
View of the courtyard from the tower.
Más sobre Sevilla Giralda 1195107: Berlanga Hermitage of San Baudelio 12th cent.
This marker is part of an extended History of Islamic Architecture
Berlanga, Spain
Hermitage of San Baudelio
12th cent
Mozarab
The Church of San Baudelio was built in the early 12th century at the crossroad of Islamic and Christian territory on the Iberian Peninsula. In typical Mozarabic fashion, this Christian sanctuary integrates Islamic architectural elements and decorative motifs into its design and ornamentation. It is specifically renowned for its mural frescoes.
By the end of the thirteenth century, the church had undergone two cycles of painting, leaving its interior surfaces completely adorned with frescoes. Some of these murals depict the life of Christ while others feature animals, such as the camel, and scenes of hunting, influenced by popular themes and motifs during the tenth century Umayyad caliphate.
Text and Photos Archnet.org
Más sobre Berlanga Hermitage of San Baudelio 12th cent.108: Taza, Great Mosque 1291-92
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Taza
Great Mosque
1291-92
Inaccessible to non-Moslems
Más sobre Taza, Great Mosque 1291-92110: Palermo San Giovanni degli Eremiti 6th cent
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Palermo, Sicily
San Giovanni degli Eremiti
6th cent
The blend of Norman and Arab architecture produced a unique hybrid style of architecture as can be seen in the domes of San Giovanni degli Eremiti in Palermo, built as a Christian monastery in the 6th century, it is an excellent example of this cultural fusion.
The church's origin predate the Arabic and the Norman conquests. After the Islamic conquest of Sicily, its church was turned into a mosque. Its domes date from that time. The Normans returned it to the monks of St. William from Vercelli around 1136
Photo Wikipedia
Más sobre Palermo San Giovanni degli Eremiti 6th cent111: Palermo Castello dela Zisa 12th cent
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Palermo, Sicily
Castello dela Zisa
12th cent
Castello della Zisa was a pleasure castle of the Norman kings in Palermo. The building was begun in the 12th century in pure Arabic style by Arabian craftsmen for king William I of Sicily, and completed by his son William II.
Photo castelli-sicilia.com
Niche with fountain in the main hall.
Photo Wikipedia
Más sobre Palermo Castello dela Zisa 12th cent112: Palermo Cappella Palatina 1130-1143
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Palermo, Sicily
Capella Palatina
1130-1143
Not an
Islamic building, the Cappella Palatina still ows much to Arabic craftsmen in the employ of Norman King Roger II. Built between 1130 and 1143 as his private chapel, this golden cave is a wonder of the confluence of Byzantine mosaic art, Arabic intarsia, and Norman architecture.
Photo Rolf Gross's collection of the Capella Palatina.
Más sobre Palermo Cappella Palatina 1130-1143113: Castelvetrano S.S. Trinita di Delia 12th cent
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Castelvetrano, Sicily
S.S. Trinita di Delia
12th cent
Northwest of the the town of Castelvetrano one can find â�� if one looks patiently â�� a little known and rarely visited Norman church, which has retained its pure Arabic appearance: SS Trinit�¡ di Delia. The building is on private grounds, and one has to beg for permission to visit and get the key in a large manor house nearby (now a restaurant catering to weddings etc.). The building shows how close North Africa was in the 12th century....
Photo Rolf Gross
Más sobre Castelvetrano S.S. Trinita di Delia 12th cent114: Sang Bast, Arslan Jadhib Gunbad 997-1028
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Sang Bast, Iran
Arslan Jadhib Gunbad
997-1028
Ghaznavid
East of Lake Van in Turkey the number of mausolea (gunbad) increases. In Islamic times the tomb of a "saint" - in Turk speaking areas often a charismatic Sufi - becomes the center of a religious shrine or mosque. In East Persia, Khorasan, Afghanistan and Pakistan there exist numerous lonely mausolea, the communities having been wiped out by the ravages of the Mongol and Timurid invasions
The burial site of Arslan Jadhib, an official of the Ghaznavid Sultan Mahmud, was originally incorporated into a larger complex along with the nearby freestanding minaret.
Text and photo Archnet.org
Más sobre Sang Bast, Arslan Jadhib Gunbad 997-1028115: Chisht-i-Sharif, Gumbad, Mausolea 1167
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Chisht-e Sharif, Khorasan, Afghanistan
Gumbad of Chesht
Two Mausolea
1167
Ghurid
The two free-standing domed structures are located on a plateau outside of Chisht-e-Sharif, a twelfth-century religious center that gave its name to the Chishtiyya order of Sufism. Inscriptions on both structures name Ghurid sultan Ghiyath al-Din Muhammad ibn Sam (1163-1203) as their patron. Their original function is uncertain, the attribution of mausolea is an assumption. Architecturally the two gumbats are excellent examples how Khorasan masters handled the problem of a circular dome on a square base with ease.
Text and photos Archnet.org
The squinches (pendentives) in the corners of the cube.
Más sobre Chisht-i-Sharif, Gumbad, Mausolea 1167116: Bukhara, Magokh-i-Attar Mosque 1178-1179
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Bukhara, Uzbekistan
Magokh-i-Attar Mosque
8th cent and 1178-1179
Qarakhanid
The place of the Magokh-i-Attar mosque has functioned as a sacred or religious site over millennia. The present mosque was built in the early 8th century and rebuilt numerous times until the early twentieth century. The building is notable as the oldest extant mosque in Central Asia, and as one of the few pre-Mongol monuments in the region.
The mosque's origins, like many others in Bukhara, are mysterious and legend-laden. The site is now understood to have once formed the core of Bukhara's city center (Shahristan) in the early Sogdian era. The site was occupied in the 5th century by a Zoroastrian temple, which was replaced by a Buddhist temple. An important temple dedicated to Moh, the moon deity, and a market surrounding it stood there until a conflagration in 937. Nothing has remained from these earlier buildings. The southern portal, which is the oldest component of the present structure, can be traced to the Qarakhanid dynasty's extensive rebuilding in the twelfth century.
Text and photo whc.unesco.org
Más sobre Bukhara, Magokh-i-Attar Mosque 1178-1179117: Herat Masjid-i Jamii - Great Mosque 1200-1498 (1970)
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Herat - Chorasan, Afghanistan
Herat Masjid-i Jamii - Great Mosque
1200, 1498
Ghurid
The present mosque was begun by Ghurid ruler Ghiyath al-Din Muhammad b. Sam (1162-1202) in 1200. In the thirteenth century, Chingiz Khan pillaged the province and the building fell into ruin. After 1397, the Timurid rulers redirected Herat's growth towards the North. the mosque was then rebuilt by Mir Ali Shir Navai -- a prominent poet and minister of Sultan Husain Baiqara (1469-1506) -- in two years beginning in 1498. By the mid-twentieth century, little remained of the Timurid mosque besides pieces of the tile decoration of the two ivans. The actual structure was completely reconstructed. The new, present (1970) mosque corrects the irregularities of the original layout and reconstructs elements (like the mausoleum), which were entirely lost by the 1940s. The tiling has been heavily repaired.
Text and photo Archnet.org
Más sobre Herat Masjid-i Jamii - Great Mosque 1200-1498 (1970)118: Mashhad, Imam Ali Reza Shrine 14-20th cent
This marker is part of an extended History of Islamic Architecture
Mashhad
Khorasan, Iran
Imam Ali Reza Shrine
14-20th cent
Timurid
Arguably Iran's most sacred (Shiite) shrine. It developed around the grave of Ali Riza (Ali ibn-Musa) the 8th Imam (765-817) who was poisoned in Tus and buried here.
Although the earliest present structures date from the the early 15th cent, historical references indicate buildings on the site prior to the Seljuk period, and a dome by the early thirteenth century.
Following periods of alternating destruction and reconstruction, including the sporadic interest of Seljuk and Il-Khan Sultans, the largest period of construction took place under the Timurids and Safavids. The site received substantial royal patronage from the son of Timur, Shah Rukh, and his wife Gawhar Shad and the Safavid Shahs Tahmasp, Abbas and Nader Shah.
The martired saint is buried under a heavily gilded dome:
Street view from the south, with the blue dome of the Gawhar Shad Mosque and the gold sanctuary dome way in back. As can be seen from outer space the complex is large.
Text and photos Archnet.org
Más sobre Mashhad, Imam Ali Reza Shrine 14-20th cent119: Ghazni, Ulugh Begh and 'Abd al-Razzaq Mausoleum 1460-1502
This marker is part of an extended History of Islamic Architecture
Ghazni, Afghanistan
Ulugh Begh and 'Abd al-Razzaq Mausoleum
1460-1502
Timurid
The Mausoleum of Ulugh Begh bin Abu Sa'id, son of Timurid Sultan Abu Sa'id (1459-1469), was erected to the south of old Ghazna, on a hill overlooking the ruined palace of Mas'ud III. Ulugh Beg governed Ghazna and Kabul from 1460 until his death in 1501, while his son and successor 'Abd al-Razzaq was dethroned within a year. The mausoleum was probably built by Ulugh Beg for himself and also houses the remains of 'Abd al-Razzaq who died in 1513/1514
The mausolum has an unusual floor plan.
Text and phots Archnet.org
Más sobre Ghazni, Ulugh Begh and 'Abd al-Razzaq Mausoleum 1460-1502121: Na'in, Masjid-i Baba 'Abd Allah 1300, restored 1336
This marker is part of an extended History of Islamic Architecture
Na'in, Esfahan, Iran
Masjid-i Baba 'Abd Allah
1300, restored 1336
A rare Il-Khanid example
A domed square chamber built in 1300 and restored in 1336, with fine examples of painting on plaster over the mihrab.
Interior, painted decorations and inscription
Text and photos Archnet.org
Más sobre Na'in, Masjid-i Baba 'Abd Allah 1300, restored 1336122: Sultaniya, Mausoleum of Il-Khan Oljeitu 1307-1313
This marker is part of an extended History of Islamic Architecture
Sultaniyya, Iran
Mausoleum of Sultan Muhammad Oljeitu Khudabanda
1307- 1313
Il-Khanid
The central magnet of Soltaniyeh's several ruins is the Mausoleum of Il-khan ��ljeit�¼, traditionally known as the Dome of Soltaniyeh.
The structure, erected between 1307 and 1313, boasts the oldest double-shell dome in the world. Its importance in Islamic architecture may be compared to that of Brunelleschi's Florentine cupola for the West. The Dome of Soltaniyya paved the way for more daring Muslim cupola constructions, such as the Mausoleum of Khoja Ahmed Yasavi and Taj Mahal. Much of the exterior decoration has been lost, but the interior retains superb mosaics, faience, and murals.
The mausoleum under reconstruction in 1999.
Polichrome plaster in the vault
Text and photos Archnet.org
Más sobre Sultaniya, Mausoleum of Il-Khan Oljeitu 1307-1313123: Shiraz, Shah Cheragh Shrine 14th cent
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Shiraz, Iran
Shah Cheragh Shrine
Syed Amir Ahmad (also called Ahmad ibn Musa)
14th cent
Ilkhanid
As a city Shiraz was founded in 684 AD, after the Arab armies conquered the Sassanians. The Buyids (945-1055 AD) made Shiraz their capital, building mosques, palaces and a great city wall. The 13th and 14th centuries saw Shiraz as a literary center especially famous for its poets Sa'adi and Hafez, both of whom are buried in the city. There are many splendid Islamic monuments in Shiraz, especially its enormous Safavid mosque, but the most notable religious site is the shrine of Syed Amir Ahmad (also called Ahmad ibn Musa).
Text and photo Archnet.org
Más sobre Shiraz, Shah Cheragh Shrine 14th cent124: Kerman, Masjid-i-Pa Minar 1390
This marker is part of an extended History of Islamic Architecture
Kerman, Iran
Masjid-i-Pa Minar, Pa Pinar Mosque
1390
Il Khanid
exact location uncertain
Entrance to shrine
Photo Archnet.org
Más sobre Kerman, Masjid-i-Pa Minar 1390125: Yadz Masjid-e Jame 1324, 1364-1470
This marker is part of an extended History of Islamic Architecture
Yadz, Iran
Masjid-e Jame
1324, 1364-1470
Muzzafarid, Timurid
Founded in the twelfth century, the current structure dates to several building phases during the fourteenth century with significant addition during the fifteenth, and eighteenth or nineteenth centuries.
The mosque is also significant for the early and substantial use of transverse vaulting in the rectangular winter prayer halls, a system that also has precedents in Sasanian structures.
The tile decoration is also noteworthy, although much is restoration. The dome is articulated with geometric decorative brickwork in turquoise and white on an unglazed buff field. Decorative brickwork laid in epigrams cover most wall surfaces within the sanctuary, above a turquoise tile dado with mosaic medallions that continues into the iwan. The mihrab is sheathed with naturalistic vegetal designs rendered in remarkable faience mosaic.
Vaulting in the eastern gallery
Text and photos Archnet.org
Más sobre Yadz Masjid-e Jame 1324, 1364-1470127: Samarkand, The Registran
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Samarkand
Moon rise over the Registran. Photo 1989
The Registran, the central square of Samarkand is surrounded by three Islamic schools (Madreses) : Ulugbeg Madrasa (1417-1420), the Sir-Dor Madrasa (1619-1636) and the Tilya-Kari Madrasa (1646-1660). One of the most magnificent Islamic architectural ensembles of Central Asia.
For more photos from Samarkand go to Rolf's Samarkand 1977 and 1989
Más sobre Samarkand, The Registran128: Samarkand Bibi-Khanum Mosque 1398-1405
This marker is part of an extended History of Islamic Architecture
Samarkand, Uzbekistan
Bibi Khanum Mosque - Masjid-i-Jami
1398-1405
Timurid
Photo of the mosque from the street after its dome and Ivan had been restored (1990s)
Photo Archnet.org
Before the last reconstruction (19870s-80s) only four massive fragments like enormous teeth and a minaret had survived of this mosque. The broken dome is hidden by the ivan. Soviet photo from 1968.
Más sobre Samarkand Bibi-Khanum Mosque 1398-1405129: Samarkand Gur-e-Amir Mosque 1403-1404
This marker is part of an extended History of Islamic Architecture
Samarkand, Uzbekistan
Gur-e-Amir MosqueTimur Tamerlane's Mausoleum1403-1404
Timurid
Timur built this celebrated monument as the resting place of his grandson and heir-presumptive Muhammad Sultan, who died in battle in 1403 at the age of 29. In 1405 Timur himself was interred here, and later were his sons Miranshah and Shah Rukh and his grandson, Pir Muhammad. Timur's spiritual advisor, Sayyid Barakah, also lies within. Ulugh Beg, who had established the tomb as the Timurid dynastic mausoleum and commissioned additions, was the last of the family to be placed within the crypt. - Photos 1977.
The unique dome after restoration in the 1970s.
For more photos from Samarkand go to Rolf's Samarkand 1977 and 1989
Más sobre Samarkand Gur-e-Amir Mosque 1403-1404130: Smarkand Ulugh Begh Medresa 1417-1421
This marker is part of an extended History of Islamic Architecture
Samarkand, Uzbekistan
Registran
Ulugh Begh Medresa
1417-1421
The oldest madrasa on the north side of the Registran and a khanaqah both of which Ulugh Beg, Timur's grandson and Governor of Samarkand, built facing each other across the square, were part of a large urban project incorporating several mosques, caravanserais and a bazaar. Of this project only the monumental madrasa survives. Oon the site of the khanaqah now stands the 17th-century Shir Dor Madrasa.
During Soviet times and my vists the medresa was for 25 years in reconstruction, and I have no photos better than this one .
Text and photo Archnet.org
Más sobre Smarkand Ulugh Begh Medresa 1417-1421131: Samarkand Sir Dor Madresa 1619-1636
This marker is part of an extended History of Islamic Architecture
Samarkand, Uzbekistan
Registran
Sir Dor Madresa
1619-1636
Architects Abdul Jabbar and Mohammad Abbas
Shaybanid
The madrasa was commissiond by the Shaybanid general, Alchin Yalantush Bahadur in erratic stages between 1619 and 1636. A barely readable inscription attributes construction to a certain Abdul Jabbar and decoration to Mohammad Abbas. The site had originally housed a large tim or cupola covered trading market built by Timur's female consort, Tuman-Aka in the 14th century. Timur's successor, Ulugh Beg, had this tim dismantled, to build a domed khanqah or hospice, ancillary to his madrasa. Yalantush thus replaced a part of Ulugh Beg's original ensemble, and did not initiate a new one, as is often maintained. Photos Rolf Gross 1977.
For more photos from Samarkand go to Rolf's Samarkand 1977 and 1989
Más sobre Samarkand Sir Dor Madresa 1619-1636132: Samarkand Tilla Kari Madresa 1646-1660
This marker is part of an extended History of Islamic Architecture
Samarkand, Uzbekistan
Registran
Tilla Kari Madresa
1646-1660
Shaybanid
The Tilla Kari madrasa was commissioned a decade after the adjacent Shir Dor madrasa (1619-1636) by the same patron, Shaybanid feudal general, Alchin Yalantush Bahadur between 1646-60. Once part of the complex built by Timur's wife, Tuman-Aka in the fourteenth century, the site had housed the Mirzoi caravan sarai. Built originally as a theological seminary, the Tilla Kari madrasa with its large prayer hall became Samarkand's congregational mosque after the collapse of the Bibi Khanum and the dismantling of Alikeh Kukeltash Mosques.
The medresa was extensively restored in Soviet times before 1990 including the chamber underneath the dome. Photos Rolf Gross 1977 and 1989
The tiled entry ivan.
Restored interior tromp l'oeil painting of the non-spherical dome.
Photo from Archnet.org
For more photos from Samarkand go to Rolf's Samarkand 1977 and 1989
Más sobre Samarkand Tilla Kari Madresa 1646-1660133: Samarkand Shakh-i-Zinda Timurid Mausoleums 11- 15th cent
This marker is part of an extended History of Islamic Architecture
Samarkand, Uzbekistan
Shakh-i-Zinda
Timurid Mausolea
11- 15th cent
Surrounded by cemeteries lies the street of theTimurid mausolea. The earliest buildings date back to the 11-12th centuries. Only the foundations and headstones of these early buildings have survived. The majority are Timurs descendants dating to the 14-15th centuries. Photos Rolf Gross 1977.
Insrcription over an entry door
For more photos from Samarkand go to Rolf's Samarkand
Más sobre Samarkand Shakh-i-Zinda Timurid Mausoleums 11- 15th cent134: Shakh-i-Zabz Aq Serai 1400
This marker is part of an extended History of Islamic Architecture
Shakh-i-Zabz, Uzbekistan
Timur's Aq Serai Palace
The entry ivan (gate)
around 1400
A few surviving large tile mosaics give a small idea of the sophisticated spendor of this palace.
For more photos from Samarkand and Shakh-i-Zabz go to Rolf's Samarkand
Más sobre Shakh-i-Zabz Aq Serai 1400135: Bukhara, Ulubegh Medresa 1417-21
This marker is part of an extended History of Islamic Architecture
Bukhara, Uzbekistan
Ulubegh Medresa
1417-21
Timurid
One of three madrasas commissioned by Ulu Begh, this one in Bukhara was constructed over the same years as that in Samarkand. The builder, Ismail b. Tahir b. Mahmud al-Isfahani utilized the traditional courtyard plan, but instead of the standard four iwans, he included only two. The decorative scheme makes considerable use of
hazarbaf brick patterns in dark and light blue glazed tile. The entrance iwan also includes
haft rangi tiles with extensive gilding.
A photo 1925
Text and photo Archnet.org
Más sobre Bukhara, Ulubegh Medresa 1417-21136: Bukhara, Masjid-i Jami or Kalyan Masjid 1514
This marker is part of an extended History of Islamic Architecture
Bulhara, Uzbekistan
Masjid-i Jami or Kalyan Masjid
early 14th cent., 1514
Timurid, Shaybanid
This immense four-iwan mosque occupies the site of an earlier congregational mosque commissioned by Qarakhanid ruler Arslan Khan, of which only the minaret remains. The structure evident today was initiated under the Timurids during the fifteenth century and completed under Ubaydallah Khan, the Shaybanid appanage in Bukhara.
Hazarbaf brickwork predominates, with hexagonal haft-rangi floral tiles in the spandrels.
Photo by yves75, Panoramio
Más sobre Bukhara, Masjid-i Jami or Kalyan Masjid 1514137: Bukhara, Mir-i-Arab Medresa 1535-36
This marker is part of an extended History of Islamic Architecture
Bukhara
Medresa Mir-i-Arab
1535-36
One copula covers a mosque, the other a karnaka (hospital).
Photo by yves75, Panoramio
Más sobre Bukhara, Mir-i-Arab Medresa 1535-36140: Bulhara, Abdulla Khan Mosque and Medresa 1588-90
This marker is part of an extended History of Islamic Architecture
Bulhara, Uzbekistan
Abdulla Khan Mosque and Medresa
1588-90
Shaybanid
Shaybanid ruler Abdullah Khan II (1556-1598) built the madrasa as a residential theological school, immediately opposite his earlier Madar-i Khan Madrasa (b. 1566-67), thus creating another of Bukhara's typical double madrasa ensembles (kush madrasa).
Built during Bukhara's third and last great construction phase when numerous civic structures such as caravanserais, tims (markets), taks (domed market kiosks), hauz (lakes) and khanqahs (hospices). It is noted for its mastery of architectural form, plan and structure at a period of declining trade, political stability and lack of architectural innovation.
Russian archaeological teams extensively restored the madrasa's exterior tile work in the 1950s. The volute arch and dado of the pishtaq display intricate floral patterns in majolica and are fine examples of contemporary workmanship. Text from
Archnet.org
Photo by perinic, Panoramio
Más sobre Bulhara, Abdulla Khan Mosque and Medresa 1588-90142: Bolo Hauz Mosque 1712
This marker is part of an extended History of Islamic Architecture
Bukhara, Uzbekistan
Bala-Hauz Masjid (Bolo Hauz Mosque)
1712
Janid
The mosque was built in 1712 for Bibi Khanum, the mother of Ashtarkhanid (or Janid) ruler Abu'l Fayud Khan (1711-47) as a private retreat. Although built as a royal chapel, the mosque has become a significant civic monument.
The Bala Hauz Masjid is noted for the profuse colors and carvings on the wooden columns of its porch and its ceiling. The joinery of its painted ceiling features extraordinary craftsmanship with the use of suspended weights, semi-circular arches and balusters.
The important mosque lies in disrepair today, despite considerable tourist interest. The porch is threatened by water damage while its front minaret tilts precariously despite repair attempts. The pool is not dredged or cleaned, and the public toilet adjacent to the mosque adds to its squalor.
Text and photos Archnet.org
Más sobre Bolo Hauz Mosque 1712143: Emir Han 1338
Bursa
Bey or Emir Hani
1338
Ottoman
The Bey (or Emir) Hani, one of the oldest inns in Bursa, is part of the Orhan Camii Complex. It has badly suffered from earthquake, fire and restoration. Originally it was very grand, forty-five meters to fifty meters in dimension with a stable at the rear. The stable was demolished in the 15th century to make room for the second minaret of the Ulu Cami. The han as it appears today was restored in 1959 to 1965 after a major fire that destroyed the neighborhood. It is composed of a total of seventy-four cells on two floors with gallery around a large courtyard with hexagonal basin at its center. The construction is brick and cut stone.
Text from Archnet.org
Más sobre Emir Han 1338144: Orhan Mosque 1339
Bursa
Orhan Gazi Complex
1339
Ottoman
The Complex of Orhan I (known as Orhan Gazi), was built in the market area of Bursa in 1339. The endowment (vakfiyye) of the Orhaniye Complex includes a mosque, madrasa (medrese), two baths (hamam), a soup kitchen (imaret) and a han, of which only the mosque, a hamam and the han survive today. The mosque was originally built without a minaret, the existing minaret on the northeast corner dates from the nineteenth century.
Text and photo fromArchnet.org
Más sobre Orhan Mosque 1339145: Orhan Hamami 14th cent
Bursa
Orhan Gazi Complex
Orhan Hamami
14th cent
Ottoman
The Orhan baths, called Bey or Orhan Hamami, are located in the vicinity of the mosque between Emir Han and Koza Han. The surviving men's section is now a bazaar known as Aynali Ã?arsi and hence lost its original function and appearance.
Text from Archnet.org
Más sobre Orhan Hamami 14th cent146: Bursa Sultan Emiir Camii 13th cent
This marker is part of an extended History of Islamic Architecture
Bursa
Sultan Emiir Camii
Built for Sultan Selim II
13th cent. Rebuilt in 1804. Photo Rolf Gross, 1990
Más sobre Bursa Sultan Emiir Camii 13th cent147: Bursa Hüdavendigar Külliye 1365-1385
This marker is part of an extended History of Islamic Architecture
Bursa
Hüdavendigar Külliyesi
Murat I Complex
1365-1385
The imperial complex of Murad I, bearing his epithet Hüdavendigar, consists of a mosque with madrasa (medrese) and dervish lodge (zaviye), mausoleum (türbe), fountain, a soup kitchen (imaret), a hamam and a Koran school for boys (sibyan mektebi).
The mausoleum was commissioned by Bayezid I after the death of his father Murad I in Kosovo in 1329 and is located to the south of the mosque. It is a single-unit with a dome resting on double arches and Byzantine columns and houses the tombs of Murad I and seven other members of the Ottoman family.
View of the northern façade of the mosque with five-bay portico and gallery above
Text and photo Archnet.org
Más sobre Bursa Hüdavendigar Külliye 1365-1385148: Bursa Yildirim Beyazit I Medresa 1394
This marker is part of an extended History of Islamic Architecture
Bursa
Yildirim Beyazit I Medresa and Tomb 1394
Architect Hüseyin bin Ali
General view from northwest, showing madrasa in front of the mosque
Exterior view of the mausoleum from southwest, with pishtak portal of madrasa visible on lower left
Detail from entrance to mausoleum showing inscriptive plaque (kitabe) in Arabic with nesih characters, announcing patronage of Suleyman Celebi and the name of architect Huseyin bin Ali, with the date of construction 1394 (809 A.H).
Plan of complex
Floor plan of complex showing (1) gate, (2) mausoleum, (3) madrasa, (4) site of royal garden palace, (5) convent-masjid, (6) hospice, (7) bathhouse, (8) gate, (9) reconstruction of precinct wall, (10) aqueduct
Text and images Archnet.org
Más sobre Bursa Yildirim Beyazit I Medresa 1394149: Bursa Ulu Cami 1396 - 1400
This marker is part of an extended History of Islamic Architecture
Bursa
Ulu Cami
1396 - 1400
View of the southern fa�§ade and the roof with its twenty domes, with the Atat�¼rk street in front and the Bursa plains in the distance. Photo from Archnet.org
Interior after Friday services (Photo Rolf Gross, 1990)
Más sobre Bursa Ulu Cami 1396 - 1400150: Bursa Muradiye 1426-1428
This marker is part of an extended History of Islamic Architecture
Bursa
Muradiye
Murad II's Tomb and Külliye
1426-1428
The Complex of Murad II, known as Muradiye, was built following the completion of the Yesil Complex and consists of a mosque, madrasa (medrese), soup kitchen (imaret), a Koran school for boys (sibyan mektebi), hamam and twelve mausolea (türbe) belonging to the Ottoman family.
Text anf photo Archnet.org
This is one of the most peaceful places in Bursa (Photo Rolf Gross, 1990)
Más sobre Bursa Muradiye 1426-1428151: Koza Han 1481-1512
Bursa
Koza Han
1481-1512
Ottoman
The Koza (Cocoon) Han was commissioned by Bayezid II and built in 1481-1512 in the market neighborhood between Ulu Cami and Orhaniye, to provide income for the sultan's mosque in Istanbul. Functionally it is part of the Orhan Complex.
Text from Archnet.org
Más sobre Koza Han 1481-1512153: Bursa Yesil Türbe Mehmed I Tomb 1419-1421
This marker is part of an extended History of Islamic Architecture
Bursa
Yesil Türbe
Mehmed !'s Tomb
1419-1421
The famous mausoleum of Mehmed I, known as Yesil T�¼rbe (Green Tomb) was built by his son and successor Murad II following the death of the sovereign in 1421. The architect was Haci Ivaz Pasa, who also designed the mosque. - The color of the tiles is really blue by Western eyes - or at best turquoise. In Chinese green and blue have the same character and are indistiguishable in their view. - Photo Rolf Gross 1990.
Más sobre Bursa Yesil Türbe Mehmed I Tomb 1419-1421154: Didymotikhon Ã?elebi Sultan Mehmet Mosque 1420-1421
This marker is part of an extended History of Islamic Architecture
Didymotikho, GreeceÃ?elebi Mehmet Mosque - Bayezid Camii
1420 - 1421
Ottoman
Architect Ivaz Pasa
This mosque made its way into this collection not only because I know this last village on the road to Edirne - but because the village is Greek and Turkish (di= two, dymotikhon= people).
The mosque was built in 1420 by Sultan Mehmed II. In the Greek archives the mosque is named Bayezid Camii.
The mosque - without a dome - may be unfinished: Like the Green Mosque in Bursa -- another mosque built by Ivaz Pasa under Mehmet II -- was also left incomplete with the Sultan's death in 1421.
Text and photo Archnet.org
Más sobre Didymotikhon Ã?elebi Sultan Mehmet Mosque 1420-1421155: Edirne Eski Camii 1402-14
This marker is part of an extended History of Islamic Architecture
Edirne
Eski Camii - Old Mosque
1402-14
Architect Haci Alaeddin of Konya
The construction of the Old Mosque of Edirne began in 1402 by Emir S�¼leyman and was completed under the rule of his brother Mehmed I in 1414. Built as a Friday Mosque in the market neighborhood of Edirne, the mosque took on its current name following the completion of the new �ç Serefeli Mosque in 1447. The mosque was restored between 1924 and 1934 and in 1965 after the 1953 earthquake.
The Prophet's Name (peace be upon him) etched adjacent to a window on the northern façade (19th cent)
The interior of the mosque is a low heavy space, an excellent example of pre-Sinan architecture. If is adorned with painted decoration and large calligraphy dating from the second half of the 19th century. The stone mihrab and minbar remain despite damage by fire. The mihrab is unique with small muqarnas niches placed inside the primary niche.
Text and Photographs from Archnet.org
Más sobre Edirne Eski Camii 1402-14156: Edirne Muradiye 1435
This marker is part of an extended History of Islamic Architecture
Edirne
Muradiye
1435
The Muradiye Mosque was built by Murad II in 1435 on a hill northeast of the city that overlooks the palace grounds (Sarayi�§i) to the northwest. Originally conceived of as a convent (tekke) for the Mevlevi order, the building was converted into a mosque when completed.
.
Exterior detail showing carved wooden door and inscriptive plaque in Arabic giving the name of the donor and date of completion.
Text and photographs from Archnet.org
Más sobre Edirne Muradiye 1435157: Edirne Ã?ç Serefeli Mosque and Külleyi 1437 - 1447
This marker is part of an extended History of Islamic Architecture
Edirne
Uc Serefeli Mosque and K�¼lleyi
1437 - 1447
The �ç Serefeli Mosque, named after its unusual wound minaret, was built by Murad II. Damaged in the 1752 earthquake, the mosque was repaired in 1763 by order of Mahmud III. A major restoration took place in 1930, with additional work on frescoes in 1999. The Koranic School (mekteb) and the soup kitchen (imaret) of the larger complex no longer exist while the two medrese- and the hammam have survived in heavily restored condition. They can be seen on the satellite image.
Exterior view with the "wound" minaret on the left.
Inner courtyard with typical colored masonry inserts
Exterior detail from portico, showing tiled tympanum of window with prayers in Arabic mentioning the founder of the mosque. Here the masonry is painted on.
Text and photos Archnet.org
Más sobre Edirne Ã?ç Serefeli Mosque and Külleyi 1437 - 1447158: Edirne Beyazit II Külliye 1484-1488
This marker is part of an extended History of Islamic Architecture
Edirne
Beyazit II Külliye
1484-1488
A conservative, late 15th-century complex commissioned by Sultan Beyazid II just before Sinan built the Selimiye. .
Plan of the külliye:
Floor plan of complex along the Tunca river, showing (1) mosque, (2) hospice, (3) caravanserai, (4) hospital, (5) madrasa, (6) site of bathhouse
Text and images from Archnet.org
Más sobre Edirne Beyazit II Külliye 1484-1488159: Aghia Eirene 548
This marker is part of an extended History of Islamic Architecture
Constantinople-Istanbul
Aghia Eirene
Originally built by Emperor Justinian I, 4th cent
Present building: 548
The building reputedly stands on the site of a pre-Christian temple. It ranks, in fact, as the first church built in Constantinople. Roman emperor Constantine I commissioned the Hagia Irene church in the 4th century. It was burned down during the Nike revolt in 532. Emperor Justinian I had the church restored in 548. It served as the church of the Patriarchate before Hagia Sophia was completed in 537. The nave measures 100m x 32 m. It has the typical form of a Roman basilica, consisting of a nave and two aisles.
After the conquest of Constantinople in 1453 the church was converted into an armoury. It was restored by Field Marshall Ahmed Fethi PaÃ?Â?a in 1846 and became the first Turkish museum. It was used as a Military Museum from 1908 until 1978. Today, it serves mainly as a concert hall for classical music performances, due to its extraordinary acoustic characteristics and impressive atmosphere.
The cross in the main apse is a unique example of theIslam-inspired Iconoclast period in Byzantine art (730-787).
Text and photos from Wkipedia
Más sobre Aghia Eirene 548160: Church of Sts. Sergius and Bacchus - Küçük Ayasofia ~530
This marker is part of an extended History of Islamic Architecture
Constantinople-Istanbul
Monastery of the Sts. Sergius and Bacchus - Küçük Ayasofia Camii (Little Aghia Sofia)
Built by Justinian I
~530
Considered the pre-cursor to the Hagia Sophia. It was built by Justinian I shortly after his ascention to the throne. The church of Sts. Sergius and Bakkhos was joined at its north wall to a basilica dedicated to Sts. Peter and Paul. The two churches shared a courtyard to the west and were surrounded by monastery buildings managed by
Monophysites(!) presumably from Syria.
The church of Sts. Peter and Paul was demolished during the construction of a raiload in the 1860s.
H�¼seyin Aga, the chief officer of the Ottoman Palace during the rule of Bayezid II (1481-1512), converted the Church of Sergius and Bacchus into a mosque. The mosque has a single minaret on the southwest corner, which dates from 1955. The K�¼�§�¼k Ayasofya was included in the annual list of the World Monuments Watch as one of the "100 Most Endangered Sites" in 2002. -
the church and the rail tracks in the foreground - without minaret (before 1955):
Photo before 1955 - without minaret.
Interior, photo early 20th cent.
Text and photos from Archnet.org
Más sobre Church of Sts. Sergius and Bacchus - Küçük Ayasofia ~530162: Pammakaristos Church - Fetiyeh Cami 11/12th cent
This marker is part of an extended History of Islamic Architecture
Constantinople-Istanbul
Church of the Monastery of Pammakaristos - Fetiyeh Camii
11th or 12th cent
Text and photo Archnet.org
Few churches in Constantinople have had an as varied history as the Pammakaristos. The Pammakaristos church was converted into Fethiye Cami or "Victory Mosque" in 1591 by Murad III to commemorate his conquest of Georgia and Azerbaijan. The Greek Orthodox Patriarchy, who had taken refuge in the Pammakaristos at the time of the Ottoman conquest, was transferred to its current location in Fener in the year of its conversion into a mosque.
The fire of Balatkapi damaged the mosque in 1640. It was repaired in 1845, and finally restored in 1936-38. Abandoned after the restoration, the main space was re-opened to Islamic prayer only in 1960. The parekklesion, restored to its pre-Ottoman state by the Byzantine Institute of America, is now open to visitors as a museum. The obove photo shows mainly the parekklision with its copulas.
Más sobre Pammakaristos Church - Fetiyeh Cami 11/12th cent164: Pantocrator Church -Zeyrek Camii
This marker is part of an extended History of Islamic Architecture
Constantinople-Istanbul
Pantocrator Church -Zeyrek Camii
1118-1143
Photo WikipediaThe Church of the Monastery of the Pantocrator was built by Byzantine Emperor John II Comnenus and his wife, Empress Irene. The famous Middle Byzantine monastic foundation included a triple-church, a hostel, a hospital, and a hospice for the elderly, richly endowed by its imperial founders.
The main trakt, used as mosque is in poor, the right parakklision in better condition.
Más sobre Pantocrator Church -Zeyrek Camii165: Christ Pantepoptes Eski Imaret Mosque 11 cent
This marker is part of an extended History of Islamic Architecture
Constantinople-Istanbul
Christ Pantepoptes - Eski Imaret Mosque
11th century
Eski Imaret Mosque was a Byzantine church dedicated to Christ Pantepoptes, "Christ the all-seeing". It is the only documented 11th century church in Istanbul which survived intact, and represents a key monument of middle Byzantine architecture. Despite that, the building remains one of the least studied churches in the city. From Byzantine Churches of Istanbul
Más sobre Christ Pantepoptes Eski Imaret Mosque 11 cent166: Aghios Theodoros - Vefa Kilise or Molla Ã?elebi Camii 11th cent
This marker is part of an extended History of Islamic Architecture
Constantinople-Istanbul
Aghios Theodoros - Vefa Kilise or Molla Ã?elebi Camii
11th century
Vefa Kilise Mosque or Molla �elebi Camii, to distinguish it from the other killise camiler of Istanbul: (also known as Molla Gürani Camii after the name of his founder) is a former Byzantine church converted into a mosque by the Ottomans. The church was possibly dedicated to Aghios Theodoros, but this dedication is far from certain. The complex represents one of the most important examples of Comnenian and Palaiologan architecture of Constantinople.
From
Byzantine Churches of Istanbul, nyu.edu
Más sobre Aghios Theodoros - Vefa Kilise or Molla Ã?elebi Camii 11th cent167: Eyyüb Mehmet Sultan Mosque 1458
This marker is part of an extended History of Islamic Architecture
Istanbul-Eyyüb
Mehmet Sultan Complex
1458
The mosque was first built in 1458 by Mehmet the Conqueror on the site where Ebu Eyyüb el Ensari, who was Mohammed's standard-bearer, was killed under the walls of Constantinople during the first siege by the Arabs (672-677). His tomb, in the walls surrounding the mosque, has beautiful �°znik tiles. The mosque was reconstructed by Sultan Selim III between 1798-1800. It is of no particular architectural interest - but large numbers of pilgrims visit the tomb of Gazi el Ensari. It is also a favorite place for circumcision ceremonies of young boys.
Photo Rolf Gross 1990
Más sobre Eyyüb Mehmet Sultan Mosque 1458168: Fatih Mehmet the Conqueror.Camii 1462-1470
This marker is part of an extended History of Islamic Architecture
Istanbul
Fatih Mehmet the Conqueror.Camii
1462-1470, 1771, interior restored 2000
Architect Atik Sinan (Old Sinan), reconstructed by head-architect Mehmed Tahir
The Fatih Mosque is the sanctuary of the imperial complex built by Mehmed II to commemorate his conquest of Constantinople in 1453. It stands at the center of an extended precinct that was entered through gates along the northern and southern walls. It was intended to be a center of learning and is flanked by 16 medreses to the east and the west, which were the first Ottoman educational institutions in Istanbul. Education was no longer based on religious studies only, but now included the rational sciences such as mathematics, astronomy and philosophy . The architect of the mosque and the complex,was Atik Sinan (Old Sinan). Built between 1463 and 1470. Tthe complex was severely damaged during an earthquake in 1766. On Mustafa III's behest the mosque was demolished and rebuilt by Mehmed Tahir (1771) in the Baroque style.
The mosque is currently under restoration to repair damage caused by the earthquake of 1999.
Text and photo Archnet.org
Photo by Dick Osseman
Más sobre Fatih Mehmet the Conqueror.Camii 1462-1470169: Bayezit II Camii and Külliye 1501-1505
This marker is part of an extended History of Islamic Architecture
Istanbul
Beyazit II Camii and Külliye
Architect Mimar Hayreddin or Yakupsah bin Sultansah
1501-1505
This complex and its surrounding neighborhood and square, all named after Bayezid II, was built between 1501 and 1505 on the grounds of the Forum Theodosius (Forum Tauri), which was flanked by the Roman Capitol. It is the second large Ottoman complex built in Istanbul after Fatih, and the third complex built by Bayezid II (1481-1512) after Amasya and Edirne, and was operated with the income of Pirin�§ Han in Bursa and a han, bedesten and baths in Salonica.
The mosque's dome was partially rebuilt after the 1509 earthquake, and Mimar Sinan conducted repairs in 1573-74. The structure of the Bayezid mosque is considered a stepping stone between early Ottoman architecture and classical Ottoman architecture, characterized by a central dome held by semi-domes on all four sides.
Plan of the complex
Floor plan of complex showing (1) mosque with mausoleums of Bayezid II and his daughter Selçuk Hatun, (2) hospice and caravanserai, (3) madrasa, (4) double bath, (5) elementary school, (6) old palace
Main courtyard portal known as palace portal (saray kapisi) facing northwest, with domed ablution fountain seen through the entryway
The courtyard
Interior: main dome and two side halfdomes
Photos and Text from Archnet.org
Más sobre Bayezit II Camii and Külliye 1501-1505170: Bali Pasha Mosque 1504-1505
This marker is part of an extended History of Islamic Architecture
Istanbul
Bali Pasha Mosque
1504-1505
The mosque was built on commission by Bali Pasha and his wife, Hüma Hatün.
Floor Plan and elevation from Archnet.org
Más sobre Bali Pasha Mosque 1504-1505171: Yavuz Sultan Selim I Mosque 1519-1522
This marker is part of an extended History of Islamic Architecture
Istanbul
Yavuz Sultan Selim I Mosque
1519-1522
Architect: Alauddin
As stated on the inscriptive plaque on the mosque's portal. the complex was commissioned by Süleyman I (Kanuni, the Magnificent) in honor of his late father Selim I (Yavuz Sultan Selim). It was completed in 1522. Only the mosque, hospices, Quranic School and royal tombs remain of the külliye which once also included a hostel for pilgrims, a medrese, double baths, and soup kitchen. The buildings occupy the fifth hill of the historic peninsula, a prominent site adjoining the 5th-century open air cistern Aspar. It is widely accepted that the complex is the work of chief architect Alaüddin, known as Acem Ali (Slave or Persian Ali).
Muquarnas (staliktites) above the entrance to the mosque
Detail of a column supporting the courtyard porch
Text and photos from Archnet.org
Más sobre Yavuz Sultan Selim I Mosque 1519-1522172: Edirne Rüstem Pasha Caravanseray 16th cent
This marker is part of an extended History of Islamic Architecture
Edirne
Rüstem Pasha Caravanseray
16th cent, restored 1972
Arichitect Minmar Sinan
Sinan's caravanserai (once a warehouse and overnight stop for camel caravans) is located in the historical centre of the city. Built in the 16th century by the great architect, it was restored and converted into a 150-room hotel in 1972. Although the restoration itself represents a high standard of conception and performance, the hotel conversion proved impractical. The complex is now a "pious" monument open to the public.
Isometric plan
View from the restored rooftops onto Sinan's Selimiye mosque. The domes of the caravanseray were completely reconstructed with concrete and supported by concrete beams
Text and photos fromArchnet.org
Más sobre Edirne Rüstem Pasha Caravanseray 16th cent174: Haseki Hürrem Sultan Mosque and Külliye 1538-1539
This marker is part of an extended History of Islamic Architecture
Istanbul
Haseki Hürrem Sultan Mosque and Külliye 1538-1539
Architect Mimar Sinan
Built for Haseki Hürrem Sultan, the wife of Süleyman the Magnificent, this külliye is the first important complex to be taken on by Sinan after he was appointed chief architect. It is composed of a mosque, a medrese, a primary school, a hospital, and a refectory which was later added to the complex (1550). In situating his buildings at different angles and leaving narrow passages and gaps between them, Sinan chose an organic approach rarely to be seen in his subsequent works, resulting in rich perspective effects. (Text by
Evliya, GE-BBS)
View of the painted dome and the squinches at its corners.
Isometric dawing and photos Archnet.orgi
Más sobre Haseki Hürrem Sultan Mosque and Külliye 1538-1539175: Barbarossa Hayrettin Pasha Türbe 1541
This marker is part of an extended History of Islamic Architecture
Istanbul
Barbarossa Hayrettin Pasha Tomb 1541
Architect Mimar Sinan
Barbarossa Hayrettin Pasha was the feared naval admiral of Süleyman the Magnificent. The type of tomb plan Sinan most labored over all his life was an octagon-based "Türbe". This is one of his most perfect examples: both externally and internally octagonally shaped and decked with an eaved entrance.
(Photo and text modified from Evliya, GE-BBS)
Más sobre Barbarossa Hayrettin Pasha Türbe 1541176: Sehzade Mosque and Külliye 1543 - 1548
This marker is part of an extended History of Islamic Architecture
Istanbul
Sehzade Mosque and Külliye 1543 - 1548
Architect: Mimar Sinan
At the age of 54, Sinan, the Great and already famed architect, considered himself an "apprentice" when he built the Sehzade Mosque, because it was here that he encountered the problem posed by the half-dome, though he came up with a very elegant solution using four half-domes.
Sultan Süleyman the Magnificent commissioned the mosque in memory of his beloved son, Prince Mehmet. The Sehzade Külliye, which was completed before the mosque itself, was made up of the Tomb of Sehzade Mehmed, a theology school, a soup kitchen and a printing house. (
Old etching of the Sehzade Mosque. From
Caltech.edu
Image and text adapted from Evliya, GE-BBS
Más sobre Sehzade Mosque and Külliye 1543 - 1548177: Mihrimah Mosque (Iskele) 1547-1548
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Istanbul-�sküdar
Mihrimah Mosque (Iskele) 1547-1548
Architect Mimar Sinan
Next to a beautiful fountain and the ferry dock. The first of two mosques built for Mihrimah, the daughter of Sultan Süleyman and wife of Rüstem Pasa. (Text modified from Evliya, GE-BBS)
Isometric drawing of the Külliye.
Drawing and photo from Archnet.org)
And the �sküdara fountain
Photo by emreander, Panoramio
Más sobre Mihrimah Mosque (Iskele) 1547-1548178: Sülemaniye Mosque and Külliye 1551-1558
This marker is part of an extended History of Islamic Architecture
Istanbul
Sülemaniye Camii and Külliye
1551- 1558
Architect Mimar Sinan
Sinan's Sülemaniye was intended to be the architectural answer to Justinian's Hagia Sophia, which had already served as a model for many other Ottoman mosques in Istanbul. Sinan's Sulimaniye surpasses in rational symmetry, and light-filled space all earlier Ottoman precedents, as well as the Hagia Sophia. It is possible that the dialogue between Istanbul and Italy contributed to Sinan's enthusiasm for symmetrical and rational forms, as promoted by writers like Alberti.
As a self-conscious representation of Süleyman's dream as a 'second Solomon' it also references the Dome of the Rock, built on the site of the Temple of Solomon, as well as Justinian's boast upon the completion of the Hagia Sophia: "Solomon, I have surpassed thee!" The Süleymaniye, similar in magnificence to the preceding structures, asserts Sultan Süleyman's historical importance. The structure is nevertheless smaller in size than its older archetype, the Hagia Sophia. - Following 3 Photos Rolf Gross, 1954/1990.
Iznik tiles on the
türbe, the tomb of Sultan Süleyman the Magnificent and his wife Haseki Hürrem Sultan in the cemetery of the Süleymaniye. Mimar Sinan is also buried there.
Floor plan of the complex, showing (1) mosque, (2) mausoleum of Süleyman, (3) mausoleum of Hürrem, (4) Koran recitation school, (5) public fountain, (6) elementary school, (7) first (evvel) madrasa, (8) second (sani) madrasa, (9) remains of medical school, (10) hospital, (11) hospice, (12) guesthouse, (13) Sinan's tomb with domed sabil and empty plot of his endowed school and residence, (14) the janissary agha's residence, (15) third (salis) madrasa, (16) fourth (rabi) madrasa, (17) bathhouse, (18) hadith college, (19) madrasa near the palace of Fatma Sultan and Siyavus Pasa.
Text and above plans from Archnet.org
It seems befitting to end this description wirh Tizian's (1530) portrait of Süleyman the Magnificent
From Wikepedia.
Más sobre Sülemaniye Mosque and Külliye 1551-1558179: Hadim Ibrahim Pasha Mosque 1551
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Istanbul
Hadim Ibrahim Pasha Mosque
1551
Architect Mimar Sinan
This is an example of the first stage of single-domed mosques in which Sinan managed to widen the interior space by adding two buttresses to each side wall. It prefigures the octagonal based dome plan Sinan was later to realise. The smooth passage from the walls to the dome is ensured by trompes invisible from the outside. This mosque's plan bears a striking resemblance to that of the Bali Pasha Mosque (1504-1505).
Interior showing the trompes which integrate the dome and the square base.
Text and photos from Archnet.org
Más sobre Hadim Ibrahim Pasha Mosque 1551180: Zal Mahmut Pasha Mosque 1551-1566
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Istanbul
Zal Mahmut Pasha Mosque
1551-1566
Architect Mimar Sinan
The mosque is part of a kulliye commissioned by Zal Mahmud Pasha, one of the viziers of Selim II. The complex is masterfully planned on a sloping site, with two separate levels linked bya flight of stairs. Themosque and a medrese are situated on the higher level, while the lower part consists of another medrese and a tomb. The com- position is more organic than symmetric. Due to the slope, the mosque has a vaulted basement and a beautiful view over the Golden Horn. (Photo and text adapted from
Evliya, GE-BBS)
Isometric Drawing
Isometric Drawing from Archnet.org
Más sobre Zal Mahmut Pasha Mosque 1551-1566181: Sinan Pasha Mosque 1554-55/56
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Istanbul
Sinan Pasha Mosque
1554-55/56
Architect Mimar Sinan
In this mosque, Sinan re-evaluates the hexagonal plan of the Uç Serefeli Mosque, managing to improve on its model.
Isometric Drawing
Photo and drawing Archnet.org
Más sobre Sinan Pasha Mosque 1554-55/56182: Haseki Hürrem Sultan Hamam 1556
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Istanbul
Haseki Hürrem Sultan Hamam (1556)
Architect Mimar Sinan
The Haseki Hürrem Sultan Hamam (Bath) is a well preserved hamam open to visitors today. Here Sinan has juxtaposed the men's and the women's sections so as to create an interesting mirrored complex. (Text from
Evliya, GE-BBS)
View of entry from the men's dressing room into the cool room
Entryway with multifoliate crown into the hot room
Photos from Archnet.org
A romantic sunset behind Sinan's hamam, from turkeytravelplanner.com
Finally a picture of Haseki Hürrem Sultan, who hailed from Poland and was given to Süleyman as a present. A formidable woman with many legends to her credit, she became Süleyman's favorite wife.
Photo from .atamanhotel.com
Más sobre Haseki Hürrem Sultan Hamam 1556184: Mihrimah Sultan Mosque Edirnekapi 1563-70
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Istanbul-Edirnekapi
Mihrimah Sultan Mosque
1563-70
Architect Mimar Sinan
Mihrimah Mosque is one of Sinan's most astounding designs. Mihrimah was the daughter of sultan Süleyman the Magnificent and wife of the Grand Vizier Rüstem Pasha.
It is the "Gothic" mosque among Sinan's buildings. The non-bearing walls are broken by several dozens of windows flooding the interior with a profusion of light. The dome seems to be nearly weightlessly suspended on four slender pilasters and 6 collumns, the only weight-bearing supports . There are no outside buttresses. A stunning piece of structural engineering.
Structurally the window walls appear nearly weightless
Tthe same wall from the inside: light everywhere
The seemingly floating dome
Text and photos from Archnet.org
Más sobre Mihrimah Sultan Mosque Edirnekapi 1563-70185: Kara (Gazi) Ahmed Pasha Mosque 1565-1572
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Istanbul
Kara (Gazi) Ahmed Pasha Mosque
1565-1572
Architect Mimar Sinan
Havier and not as daring as the Mihrimah Sultan Mosque, this mosque is part of a külliye which includes a medrese, a primary school and a tomb The complex was commissioned by Kara Ahmet Pasha, one of Kanuni Sultan Suleyman's sadrazams (Prime Minister). The medrese and the mosque share the same courtyard while the primary school and the tomb are located at a distance from the mosque.
Interior view from upper gallery, looking towards qibla wall
Interior view showing mihrab and minbar
Interior detail; painted wooden ceiling of muezzin's platform (müezzin mahfili)
"
Isometric Drawing
Drawing and photos from Archnet.org
Más sobre Kara (Gazi) Ahmed Pasha Mosque 1565-1572186: Piyale Pasha Mosque 1565-73
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Istanbul
Piyale Pasha Mosque
1565-73
Architect Mimar Sinan
This kind of conservative floorplan is called "Ulucami". it goes back to the Omayyad mosque in Damascus and the lesser Byzantine churches of Constantinople. The Ulucamii in Bursa is another, earlier example. It appears like a fall-back in Sinan's development so much so that some scholars doubt Sinan's authorship. Perhaps it was the client's wish.
Historical photo from the beginning of the 20th century
It was recently restored, the porch had collapsed. The interior is again charmed by old-fatherly bands of tile inscriptions:
Plan and photos from Archnet.org
Más sobre Piyale Pasha Mosque 1565-73188: Sokullu Mehmet Pasha Mosque-Azapkapi 1573-1578
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Istanbul
Sokullu Mehmet Pasha Mosque-Azapkapi
1573-1578
Architect Mimar Sinan
This mosque is an interpretation of the octagonal plan of the Selimiye in Edirne, with semidomes or trompes added to each angle of the octagon. The latecomers' porch is walled in, while the mosque rises above a basement which serves as a warehouse, as in the case of the Rüstem Pasha Mosque. .
Plan and photos from Archnet.org
Más sobre Sokullu Mehmet Pasha Mosque-Azapkapi 1573-1578189: Sultan Selim II's Tomb 1577
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Istanbul
Sultan Selim II's Tomb 1577
Architect Mimar Sinan
The Tomb of Selim II holds a special place among the tombs designed by Sinan. Its outward appearance consists of a square prism with bevelled corners and a superimposed octagonal prism buttressed with four trompes. The entrance porch is both domed and eaved. There is a recess on each side of the entrance. The wide eave overhangs are supported by iron stanchions.
Interior view showing the columns supporting the dome structure and sarcophagi belonging to Selim II and his family
Photos from Archnet.org
Más sobre Sultan Selim II's Tomb 1577190: Atik Valide Mosque and Kulliye 1571-1583
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Istanbul-�sküdar
Atik Valide Mosque and Külliye
1571-1583
Architect Mimar Sinan
This very large külliye was built for Princess Nurbanu. Nurbanu Sultan was the mother of Murad III and the wife of Selim II (son and successor of Kanuni Sultan Süleyman). Built again on sloping ground, it includes a mosque, a medrese, a tekke (dervish lodge), a dar-ul kurra and a dar-ul hadis, a hospital, a guesthouse, a kervansaray (with very large stables, including camel stables, being situated on the Anatolian shore), a refection hall, a hamam and a primary school. The buildings are situated on different levels, with the refectory, guesthouse, kervansaray and hospital forming an important autonomous social unit, separated from the group formed by the mosque, medrese and tekke by a street. The school is situated on an elevated storey, with a street passing through the void created below. Apart from the mosque, medrese and tekke, the buildings have lost much of their original appearance because of the misuses they have suffered at different times. (Text from
Evliya, GE-BBS)
Floor plan of complex with a hypothetical reconstruction of its hospice-caravanserai-hospital block: (1) mosque, (2) madrasa, (3) convent, (4) elementary school, (5) hadith college and Koran recitation school, (6) fountain of Hasan Ã?Â?avus, (7) vestibule, (8) double caravanserai with stables, (9) hospice courtyard, (10) hospice kitchens, (11) guestrooms, (12) hospital, (13) double bath
Plans and photos from Archnet.org
Más sobre Atik Valide Mosque and Kulliye 1571-1583191: Kiliç Ali Pasha Mosque and Külliye 1578 -1581
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Istanbul
Kiliç Ali Pasha Mosque and Külliye
1578-1581
Architect Mimar Sinan
The külliye commissioned by Kiliç Ali Pasha, one of Sultan Suleyman's admirals, is situated close to the sea, and consists of a mosque, a medrese, tomb, and a hamam.The plan of the mosque proper, with its lateral galleries surrounding the central area on three sides is reminiscent to that of Agh. Sophia. Its concept of space is different from that of the Suleymaniye, which also shares a similar plan. The central and lateral areas are separated from one another. Contrary to what Sinan had attempted until then, the plan is developed in length rather than in width. The dome rests on a square base, with supporting semidomes on two sides, and, on the two other sides, wide arched buttresses reaching from the piers to the outer wall. Even though the galleries advance as far as the central area, calling to mind the Mahmud II Mosque, the arches supporting the dome remain much higher than the upper galleries. The latecomers' porch is doubled. The mihrab and pulpit as well as the tiles and ornamental paintings are interesting. - Interior view from the galleries towards the mihrab.
Isometric drawing
Text, photo, and plan from Archnet.org
Más sobre Kiliç Ali Pasha Mosque and Külliye 1578 -1581192: Semsi Ahmet Pasa Külliyesi 1580-81
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Istanbul-�sküdar
Semsi Ahmet Pasa Külliyesi
1580-81
Architect Mimar Sinan
Although this mosque is small in size, it is remarkable because of its mass and composition, and the way it is situated right on the sea shore. With the tomb of Semsi Ahmet Pasha adjacent to the mosque, and the L-shaped medrese surrounding the courtyard on an independent axis, Sinan has designed a very original, assymetric kulliye, perfectly adapted to the coast line.
Text and above photo from Archnet.org
Following photos Rolf Gross, 1990
Cemetery of the Semsi Ahmet Pasa Külliye
Más sobre Semsi Ahmet Pasa Külliyesi 1580-81193: Nisanci Mehmet Pasha Mosque 1584 -1589
This marker is part of an extended History of Islamic Architecture
Istanbul
Nisanci Mehmet Pasha Mosque
1584 -1589
Architect Mimar Sinan
Some scholars do not consider this mosque to be one of Sinan's works, attributing it to Davut Aga. However, if the mosque is studied carefully, it becomes obvious that it constitutes an important step in the development of Sinan's octagonal plan. Here the central dome is no longer fitted into a simple square structure, and the mosque, as in the case of Kadirga Sokollu and Molla Celebi, becomes a truly unified space covered with a single main dome and its integrated semi domes. This basic unity of design is broken however by two cloister vaults covering the entrance and its neighbouring areas. (Text from
Evliya, GE-BBS)
Floor plan
Photos and plan from Archnet.org
Más sobre Nisanci Mehmet Pasha Mosque 1584 -1589194: Erzurum Lala Mustafa Pasa Mosque 1562-1563
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Erzurum
Lala Mustafa Pasa Mosque
1562-1563
Architect: Mimar Sinan
Lala Mustapha Pasa Mosque seems to be the only Ottoman Mosque in Erzurum - a simple provincial mosque with a single minaret. It deserves our attention because it was built by Sinan!
Interior
Photos from Archnet.org
Más sobre Erzurum Lala Mustafa Pasa Mosque 1562-1563195: Van, Köse Hüsrev Pasa Camii 1567-1568, 1587-88
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Van, Anatolia
Köse Hüsrev Pasa Camii
1567-1568, 1587-88
Architect Miman Sinan
The mosque below the Van castle.
The mausoleum, which was destroyed 1915 during the Russo-Turkish War
Text and photos from Archnet.org
Más sobre Van, Köse Hüsrev Pasa Camii 1567-1568, 1587-88196: Diyarbakir Hadim Ali Pasa Camii 1541-1544
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Diyarbakir, Anatolia
Hadim Ali Pasa Camii
1541-1544
Architect Mimar Sinan
Ottoman
The architectural surprise of town are three mosques by Mimar Sinan -- in the wild Kurdish town of Diyarbakir!? - This is Sinan's earliest mosque in Diyarbakir.
Interior view of the qibla wall. The mosques of Diyarbakir are carpeted with beautiful local Kurdish rugs
Photos from Archnet.org
Más sobre Diyarbakir Hadim Ali Pasa Camii 1541-1544197: Diyarbakir Iskender Pasa Camii 1551-1565
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Diyarbakir, Anatolia
Iskender Pasa Camii
1551-1565
Architect Mimar Sinan
Ottoman
Built at the same time as Sinan's Sülemaniye in Istanbul (1551- 1558) it is by comparison an unpretentious complex. Interior view
Photo from Archnet.org
Más sobre Diyarbakir Iskender Pasa Camii 1551-1565198: Diyarbakir Behram Pasa Camii 1564-1573
This marker is part of an extended History of Islamic Architecture
Diyarbakir, Anatolia
Behram Pasa Camii
1564-1573
Architect Mimar Sinan
Ottoman
The last of the three graceful Sinan mosques. - Its entry porch is a reminder of his Rüstem Pasha Mosque (1561-63) in Istanbul.
Two tone ashlar masonry using the local black stone and knotted columns reminiscent of Seljuk architecture.
Photos from Archnet.org
Más sobre Diyarbakir Behram Pasa Camii 1564-1573199: Damascus, Sultan Sulayman Mosque 1544-1558
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Damascus, Syria
Takiyya Sulaymaniyya, Sultan Sulayman Mosque
1544-1558 (15/67 madrasa)Mimar Sinan
This major takiyya complex was built on the ruins of Qasr al-Ablaq by the Ottoman Sultan Sulayman I. A separate madrasa was added to the southeast of the takiyya complex by Selim II. Text and photos from Archnet.org.
The courtyard with pool
Isometric drawing
Text, photos, and drawing from Archnet.org
Más sobre Damascus, Sultan Sulayman Mosque 1544-1558200: Adiliyya Mosque Aleppo 1556-1565
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Hüsrev Pasha Camii or Adiliyya Mosque
Aleppo 1556 - 1565/66
Architect Mimar Sinan
The Adiliyah Mosque, located in the Saffahiyah district, was built by the Wali Mohammed Basha in 1556. The mosque has a main courtyard with a covered water pool. A double parallel colonnade creates the mediating space between the courtyard and the north side of the main prayer hall. The prayer hall is square in plan each side measuring 23m. The mosque has one cylindrical minaret built in the Ottoman style.
Floor plan and elevation
Text. photos and plan from Archnet.org
Más sobre Adiliyya Mosque Aleppo 1556-1565201: Sultan Ahmed - Blue Mosque 1609 - 1619
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Istanbul
Sultan Ahmed Mosque
1609 - 1619
Architect Sedefkar Mehmed Aga
The photo shows the incomparable geographical, strategic and commercial position of Constantinople-Istanbul, one of the youngest cities in the Eastern Mediterranean (324 AD). The Sultan Ahmed mosque is in the foreground and Agia Sofia in the distance.
The Sultanahmet Mosque, commonly known as the Blue Mosque because of the K�¼tiyah tiles in blue, green and turquoise that cover most of its interior. The mosque is the central element of the complex built by Ahmed I (1603-1617) and was completed after the sultan's death in 1617. Its architect is Mehmed Aga (d.1622). The mosque is considered to be the last example of Ottoman classical architecture; Mehmed Aga was an apprentice of Sinan (1450?-1588) and Davud Aga (d.1598), two architects whose works defined the style of this period.
Sultan Ahmed Mosque seen from the Agia Sofia (photos Rolf Gross 1954)
Interior view of one of the four massive columns and the blue tiles that give the mosque its name. The difference in the dynamic structure between Sinan and Mehmed Aga are clearly visible. This dome sits solidly on its four feet and is no match to the stuctural elegance of Sinan's creations. The beautiful tiles distract and hide its architectural details. It seems, after all, justified to call it the Blue Mosque.
Text and last two images from Archnet.org
Más sobre Sultan Ahmed - Blue Mosque 1609 - 1619202: Yeni Camii - New Mosque 1597-1603, 1661-1663
This marker is part of an extended History of Islamic Architecture
Istanbul
Yeni Cami "New Mosque"
1597-1603 and 1661-1663
Architect Davud Aga, Dalgic Mehmed Aga, and Mustafa Aga
The Yeni Cami or New Mosque was begun in 1597 by Safiye Sultan, the mother of Mehmed III (1595-1603) and completed more than half a century later by Turhan Hatice Sultan, the mother of Mehmed IV (1648-1687). The mosque stands in a long tradition of architectural patronage by Ottoman queen mothers or valides.
The first architect was Davud Aga. He was replaced by Dalgic Mehmed Aga after Davud's death in 1598 until work halted in 1603. Mustafa Aga completed the mosque between 1661 and 1663.
Photo by Dick Osseman
The interior is covered with Iznik tiles. Detail showing the springing of an arch from the pier -the transition point from tile panels to painted decoration- and multi-tiered muqarnas cornice above
View looking up at the grand arch separating the central dome and the northeast semi-dome; the gilt cornice of the northeast arcade is seen protruding at top
Vaulting detail showing the transition from the central dome to a semi-dome and its three exedra semi-domes (right); the names of Caliph Ali and his sons Hasan and Huseyn are written on black medallions from left to right
Text and last 3 photos from Archnet.org
Más sobre Yeni Camii - New Mosque 1597-1603, 1661-1663203: Nuru -Osmaniye Camii 1748-1756
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Istanbul
Nuru-Osmaniye Mosque
1748-1756
Architect: Simeon Kalfa
Ottoman Baroque
Construction on the Nuruosmaniye Complex began in 1749 during the rule of Mahmud I (1730-1754) and was completed by his brother and successor Osman III (1754-1757) in 1755. In style, the complex is distinguished by the adoption of baroque design elements that reflect the westernizing vision of Mahmud I. The name Nuruosmaniye, or the Light of Osman, is thought to refer to Osman III and to a verse from the Sura of Al-Nur, "God is the light of the heavens and the earth", which is inscribed inside the dome.
General view in an older photograph showing the soup-kitchen (left) and the medrese (right) in the foreground
Overall the interior design follows classsical predcedent, the advent of the Baroque is restricted to its external details:
Exterior detail showing transition from dome buttress to corner pier and the cornice of a grand arch supporting the dome
Or the curved courtyard clearly visible from outer space:
Photos and text from Archnet.org
Más sobre Nuru -Osmaniye Camii 1748-1756205: Seyitgazi, Battal Gazi Takkiya 1208-1511
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Seyitgazi, Eskishehir
Seyyid Battal Gazi Takkiya
Bektasi Sufi Tekke
1208-1511
Seldjuk-Ottoman
The complex is dedicated to (Seyyid) Battal Gazi, an epic hero based on a warrior who fought with the Umayyad army against Byzantium and who is believed to have been martyred on the site. It is built into the eastern slopes of �çler Hill overlooking Seyitgazi, a Turcoman village near the Roman-Byzantine settlement of Nicolea, which grew in size and in importance during the Ottoman period.
The complex as it appears today consists of domed masonry structures enveloping three sides of a terraced courtyard. The funerary madrasa of �mmühan Hatun is located at the southwest corner, while the tomb of Battal Gazi, khanqah mosque and semahane form a cluster at the southeast corner.
The Seljuk complex was renovated and enlarged during the rule of Ottoman Sultan Bayezid II (1448-1512), establishing it as a convent (khanqah) of the Kalenderi sect. Revered by the larger Alevi, Bektasi and Ahi communities, the khanqah functioned as a Bektasi khanqah from the 17th century until its demise in the early 19th century.
The dervish cells and halls on the east and north sides of the courtyard are all equipped with furnaces; their numerous domes and chimneys dominate a dynamic skyline of the khanqah complex.
The tekke on its hill above the village (photos 1913)
Floor plan
Text, photos, and plan from Archnet.org
Más sobre Seyitgazi, Battal Gazi Takkiya 1208-1511206: Amasya Bayezid Pasa Takkiya 1414
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Amasya
Amasya Bayezid Pasa Dervish Tekke and Mosque
1414
Architect: Ebu Bekir bin Mehmed Museymes of Aleppo
Bayezid Pasa was build during the mayoralty of Bayezid Pasa in Amasya in 1414, prior to his appointment as grand vizier by Mehmed I. The pasha acquired a large number of windmills, agricultural land, gardens, stores and public baths in the area to provide income for the religious endowment or waqf (vakif) responsible for the operation and maintenance of the mosque.
The inside layout is unique, the domed central hall gives access to six rooms: four large rooms to the east and west and two narrow cells flanking the entrance. The large rooms, once used by dervishes, are equipped with plaster furnaces and shelving. They are domed, with two small lanterns atop the two northern domes.
Text, photo, and plan from Archnet.org
Más sobre Amasya Bayezid Pasa Takkiya 1414207: Amasya Yörgüç Pasa Takkiya 1428
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Amasya
Yörgüç Pasa Dervish Tekke and Mosque
1428
The mosque was built by Yögüç Pasha, son of Atabey Abdullah, in 1428. Abdullah was a teacher (atabey) of Mehmed I (1403-1421) and a vizier under his successor Murad II (1421-1451) and served as the ruler of Amasya in 1424.
Photo and text from Archnet.org
Más sobre Amasya Yörgüç Pasa Takkiya 1428208: Dogubayazid Ishak Pasha Seray 1784
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Dogubayazit
Ishak Pasha Seray
1784
Architect probably Ishak Pasha
Rural Palace
The Ishak Pasha Seray is one of the most beautiful and romantic Ottoman palaces, not the least because of its breathtaking lonely location. It was commissioned by the local Kurdish Ottoman governor Ishak Pasa and took ninety-nine years to complete in 1784. Ishak Pasa is also thought to be the architect of the palace.
The Palace suffered serious damage during several wars, beginning with the Russian siege in 1828. Its entry doors and other wooden architectural pieces were stolen and can be admired in the Ermitage Museum of Sankt Petersburg.
The inner courtyard (enderun) is about twenty by thirty-five meters. It includes an administrative section, a mosque, madrasa (medrese) to the north, servant rooms and stables to the south, a double-story structure housing the guards to the east. The harem section is slightly higher in elevation than the inner courtyard. It is surrounded by pleasure gardens (hasbah�§e) on three sides, and has a ceremonial hall (muayede salonu), kitchen (mutfak), cellar (kiler), baths (hamam) and many rooms. - Visiting the place in 1990 I could rid myself of the impression that this castle had really been a Sufi Tekke. See, for example, the Seygazi Battal Takkiya near Eskeshehir.
(Photos Rolf Gross 1990 and from
Archnet.org)
The dome of the mosque (Archnet.org)
Entry gate to the "harem" from the inner courtyard (Archnet.org).
View from a window in the "harem" (Rolf Gross 1990):
Más sobre Dogubayazid Ishak Pasha Seray 1784209: Banja Luka Ferhad Pasha Mosque 1579-1580
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Banja Luka, Bosnia-Hercegovina
Ferhad Pasha Mosque 1579-1580
The mosque complex included a madrasa (medrese), a Quranic school (mekteb), a dar al-hadith, a bathhouse (hamam), a fountain (Cesme), clocktower (saat kulesi or sahat kula), three tombs (turbe) and a cemetery. A caravanserai (kervansaray) and a market (bedesten or bezistan) were also built at the same time. An inscription over the main entrance of the mosque dated construction to 1579, which corresponds to Ferhad Pasha's rule as the district governor of Bosnia. (sancakbey) (Ottoman Period). Some experts believe the Ottoman architect Sinan was born in this area.
The Ferhad Pasha Complex was blown up during Bosnia's inter-ethnic war on May 7, 1993 in the early morning hours. After destroying the buildings on the site, Serbian nationalists bulldozed and removed the debris of the destruction.
Photo and Text from Archnet.org
Más sobre Banja Luka Ferhad Pasha Mosque 1579-1580210: Ardabil Shaykh Safi al-Din Tomb 1335-17th cent
This marker is part of an extended History of Islamic Architecture
Ardabil, Azeri-Iran
Shaykh Safi al-Din Tomb
1335-17th cent
Il-Khanid, Safavid
Shaykh Safi al-Din Ardabili (1252-1334) was the founder of the "Safawiyyah" Sufi-Order and the father of the Safavid Dynasty. His tomb in Ardabil still shows the Timurid-Il-Khan influence. Next to it on the right stands Shah Ismail I's tomb a true 17th cent Safavid building. These two tombs are the perfect juxtaposition of Timurid and Safavid architecture.
Photo and text from Archnet.org
Más sobre Ardabil Shaykh Safi al-Din Tomb 1335-17th cent211: Tabriz Masjid-i Muzaffariyya 1465
This marker is part of an extended History of Islamic Architecture
Tabriz, Iran
Masjid-i Muzaffariyya, Blue Mosque
1465
Qara Qoyunlu
Tabriz was the early capital of the Safavids until Shah Abbas I moved it to the safety of Isfahan.
The mosque, now in ruins, was once a complex which included a tomb, cistern, library and khanqah (mental institution). The function of the remaining building, itself in a state of ruin, has not been definitively identified (Sufi Tekke?). Named Blue Mosque for its unrivalled tile decor of which there are remnants. Both interior and exterior surfaces were once covered in a variety of tiles. The remains of tile mosaics, underglaze-painted and overglaze-painted tiles and luster tiles attest to the richness of the decorative scheme. Patterns are rendered in subtle colors with extensive use of cobalt blue as a ground for inscriptions and arabesque designs in gold and white. The dome was a deep blue, stenciled with gold patterns.
Extensive rebuilding took place between 1950 and 1966. The dome over the central chamber dates from this period, as do the undecorated interior walls.
The following photos (1999 after the restoration) remind one in design, detail, and layout of the sophisticated tile moasics in Timur's Aq Serai in Shakh-i Zabz (around 1400).
Text and photos from Archnet.org
Más sobre Tabriz Masjid-i Muzaffariyya 1465212: Mahan, Nur ad-Din Ni'matullah Shrine 1437
This marker is part of an extended History of Islamic Architecture
Mahan, Iran
Shah Nur ad-Din Ni'matullah Vali Shrine
1437 (Safavid reconstruction 1601)
Timurid, Safavid, Qajar
In 1406 Aleppo-born Sufi shaykh, and later saint, Shah Nur ad-Din Ni'matullah Vali moved to Mahan, a village outside Kirman, where he established an order of dervishes. He died in 1431 aged over 100. In 1436 a shrine was erected in his honor and became a pilgrimage site; with the attention of successive rulers contributing various additions over the centuries.
The shrine complex as it now stands, comprises three courtyards arranged axially communicating with dependent structures. The earliest work is attributed to the Bahmanid ruler Ahmed I Vali who erected the sanctuary chamber in 1436. Shah Abbas I undertook extensions and renovations in 1601, including renovation or reconstruction of the dome.
View of the shrine
Aerial view of the dome
Minaret and detail of roof construction
Construction of the small domes on the roof. Armenian influences durng Shah Abbas' time?
Detail
Text and photos fromArchnet.org
Más sobre Mahan, Nur ad-Din Ni'matullah Shrine 1437214: Kerman Ganj-i Ali Khan Caravansaray 1598
This marker is part of an extended History of Islamic Architecture
Kerman, Iran
Ganj-i Ali Khan Caravanserai and Mosque
1598
Architect Ustad Muhammad Yazd
Safavid
The caravanserai is located on the east side of the Ganj-i Ali Khan Square. Its portal bears a foundation inscription from 1598 composed by calligrapher Ali-Reza Abbasi. Its architect was Ustad Muhammad Yazd.
The plan of the caravanserai is based on the four-iwan typology, with double-story halls centered on tall iwans enveloping four sides of an open courtyard. There is an octagonal fountain at the center of the courtyard which is chamfered at the corners. The caravanserai measures 32 by 23 meters. It has a small domed mosque at one corner that measures 5.5 by 5 meters.
Eastern tract
Northern tract
Detail of tiled spandrels of north ivan - note the figurative image of an angel (Gabriel?)
Text and photos from Archnet.org
Más sobre Kerman Ganj-i Ali Khan Caravansaray 1598215: Kerman Hamam-e Ganj Ali Khan Bath 1611
This marker is part of an extended History of Islamic Architecture
Kerman, Iran
Hamam-e Ganj Ali Khan
Bath Museum
1611
Safavid
Built in 1631, the Ganj-i Ali Baths are located on the southern side of Ganj-i Ali Square, off a section of Vakil Bazaar known as Bazar-i Ganj-i Ali Khan. It is composed of a disrobing room, cold room and hot room, all covered with domes carried on squinches. The baths were converted into an ethnological museum in 1971.
Interior: hot room with octagonal pool. (With wax mannequins!!)
Dome of cool room
Text and photos from Archnet.org
Más sobre Kerman Hamam-e Ganj Ali Khan Bath 1611216: Kerman Windtowers 16th cent
This marker is part of an extended History of Islamic Architecture
Kerman, Iran
Wind towers
Kerman Bazaar
16th cent
Towers designed to catch the eveing breeze and direct it into Kerman's extensive covered bazaars (see the domed passage ways on the GE image).
Photo from Archnet.org
Más sobre Kerman Windtowers 16th cent217: Bam Citadel 1st, 16-17th cent
This marker is part of an extended History of Islamic Architecture
Bam, Iran
Citadel, Arg-e-Bam
originally built 224-637, rebuilt 1502-1722
Mosque 866-903
Sassanid, Saffanid, Safavid
This marker is for a castle and a lost city not a religious building. The excuse for including it is that it is a formidable place - with excellent documentation in
Archnet.org The ruined city of Arg-e-Bam is made entirely of mud bricks, clay, straw, and the trunks of palm trees. The city was originally founded during the Sassanian period (224-637 AD) and while some of the surviving structures date from before the 12th century, most of what remains was built during the Safavid period (1502-1722).
During Safavid times, the city occupied six square kilometers and had between 9000 and 13,000 inhabitants. Bam prospered because of pilgrims visiting its Zoroastrian fire temple (dating to early Sassanian times) and as a commercial and trading center on the famous Silk Road. Upon the site of the Zoroastrian temple the Jame Mosque was built during the Saffarian period (866-903 AD). Adjacent to the mosque is the tomb of Mirza Naiim, a mystic and astronomer who lived three hundred years ago.
Bam declined following an invasion by Afghans in 1722 and another by invaders from Shiraz in 1810. The city was used as a barracks for the army until 1932 and then completely abandoned. Intensive restoration work began in 1953 and continued through 2003.
On 26 December 2003, an 6.7 magnitude earthquake struck Bam and claimed more than 40'000 lives. Over 70% of the buildings were completelty destroyed.
Model of the Safavid city
Photograph from the crenalleted mud walls into the reconstructed city (1996)
Children playing soccer in the ruins (1996)
Text and photos from Archnet.org
Más sobre Bam Citadel 1st, 16-17th cent218: Isfahan Naghshe Jahan Square 1602-1620
This marker is part of an extended History of Islamic Architecture
Isfahan, Iran
Naghshe Jahan Square
The Golden Age of Esfahan arrived in the 16th century under Shah Abbas I (1587-1629) who made it the new capital of the Safavid dynasty.
The square is surrounded by buildings from the Safavid era. The Shah Mosque is situated on the south side of this square. On the west side you can find Ali Qapu Palace. Sheikh Lotf Allah Mosque is situated on the eastern side of this square. The northern side opens into the Isfahan Grand Bazaar.
Naghshe Jahan Square looking south towards the Shah Abbas complex
Text and photo from Wikipedia - Isfahan.
Más sobre Isfahan Naghshe Jahan Square 1602-1620219: New Julfa 1606-20th cent
This marker is part of an extended History of Islamic Architecture
New Julfa, Isfahan, Iran
Armenian quarter
1606-20th cent.
This part of Isfahan was and still is, though deminished, home to a large Armenian minority who has sad origins, but contributed much to Isfahan's architecture.
1605 Abbas I forcibly moved more than 150 000 Armenias from northwest Iran (Azerbaidjan) into new quarters at Isfahan, which he named New Julfa, after the city where most of them came from. The Armenians were excellent merchants, brought their knowledge of seri-culture with them, and were skilled master builders. It is probably no exaggeration that Shah Abbas I's ambitous urban projects in Isfahan and especially the mosques and medrese of the Safavid period were built by Armenian craftsmen.
In exchange for their services the Armenian community was given privileges which far exceeded those of the contemporary Ottoman Empire. See New Julfa in Wikepedia
Más sobre New Julfa 1606-20th cent220: Isfahan Sheikh Lutfallah Mosque 1603-1619
This marker is part of an extended History of Islamic Architecture
Isfahan, Iran
Sheikh Lutfallah Mosque
1603-1619
Safavid
Thought to be a palace chapel, the Mosque of Shaykh Lutfallah was built under Shah Abbas I, located slightly off axis across the maidan from the Ali Qapu, the entrance portal to the palace complex. Inscriptions identify the architect as Ustad Muhammad Riza B. Husein.
Text and photos from Archnet.org
Más sobre Isfahan Sheikh Lutfallah Mosque 1603-1619221: Isfahan Shah Abbas I Mosque 1611-1638
This marker is part of an extended History of Islamic Architecture
Isfahan, Iran
Shah Abbas I Mosque
1611-1638
Safavid
The Shah mosque was built as the space for public worship in Shah Abbas' new urban plan for Isfahan, but was not completed until the reign of his successor, Safi I.
Formally reflecting the bazaar portal on the north wall of the meydan, the entrance portal to the Mosque is recessed into the center of the arcade on the south wall. Between the entrance portal and the central four-iwan courtyard is a domed vestibule that enters the apse of the north iwan at a 45 degree angle. This transition accommodates the angle between the meydan axis with which the portal is aligned, and the mosque orientation toward Mecca.
Text and photos from Archnet.org
Photo by by Rezakhaniha Rana, Panoramio
Photo byby hamzeh.karbasi, Panoramio
Más sobre Isfahan Shah Abbas I Mosque 1611-1638222: Isfahan Masjid-i Jami 8th - 17th cent
This marker is part of an extended History of Islamic Architecture
Isfahan, Iran
Masjid-i Jami
8th - 17th cent
Buyid, Seljuk, Safavid
The Friday Mosque as it stands now is the result of continual construction, reconstruction, additions and renovations on the site from around 771 to the end of the twentieth century. Archaeological excavation has determined an Abbasid hypostyle mosque in place by the 10th century. Buyid construction lined a fa�§ade around the courtyard and added two minarets that are the earliest example of the double minaret on record.
Construction under the Seljuks included the addition of two brick domed chambers, for which the mosque is renowned. The south dome was built to house the mihrab in 1086-87 by Nizam al-Mulk, the famous vizier of Malik Shah, and was larger than any dome known at its time. The north dome was constructed a year later by Nizam al-Mulk's rival Taj al-Mulk.
further additions and modifications took place incorporating elements from the Mongols, Muzzafarids, Timurids and Safavids.
Text and photo from Archnet.org
Photo by Vojta Srejber, Panoramio
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Photo by Anders Hedelund, Panoramio
Más sobre Isfahan Masjid-i Jami 8th - 17th cent224: Isfahan Madar-i Shah Medresa 1706-1714
This marker is part of an extended History of Islamic Architecture
Isfahan, Iran
Madar-i Shah Madrasa
1706-1714
Safavid
Commissioned by the last Safavid Shah, Husayn I, the Madrasa Madar-i Shah forms the western side of a complex lying perpendicular to the Chahar Bagh. Abutting the madrasa is a caravanserai (renovated to become the Shah Abbas Hotel) beyond which lie stables. These structures are connected by a bazaar, which lines each on their northern side. All four structures exhibit a precise symmetry and are composed with a strict axial concern for the Chahar Bagh.
The tile work is not of the quality available at the time of Shah Abbas' projects; the decoration is limited to geometric patterns instead of intricate floral designs. Blair and Bloom consider the Madar-i Shah complex 'the last major architectural achievement from the Safavid period', noting that 'the expansive scale and confident massing of forms set the style for architects in the following two centuries'.
Exterior view of the dome during restoration.
Text and photo from Archnet.org
Más sobre Isfahan Madar-i Shah Medresa 1706-1714225: Multan, Shah Rukn-i-'Alam Tomb 1320-1324
This marker is part of an extended History of Islamic Architecture
Multan, Pakistan
Shah Rukn-i-'Alam Mausoleum
1320-1324
Tughluqid
Architect Muhammad Wali Ullah Khan
Still subject to historical debate, the Mausoleum of the Suhrawardia saint Shaykh Rukn al-Din Abdul Fath is said to have been first built by Ghiyath al-Din Tughlaq (1320-1325) for himself, yet later dedicated to the saint by Firuz Shah Tughlaq (reg. 1351-1388) at the request of Shaykh Sadr al-Din Muhammad, his adopted son and spiritual successor.
Also known as the Rukn-i-Alam or the pillar of the sky. It is the most prominent feature on the Multani skyline.
Text and photos from Archnet.org
Más sobre Multan, Shah Rukn-i-'Alam Tomb 1320-1324226: Dera Gazi Khan Tomb of Khazi Khan 1494
This marker is part of an extended History of Islamic Architecture
Dera Gazi Khan, Pakistan
Tomb of Khazi Khan
1494
Timurid
I did not find the exact location of this unusual tomb of a gazi, a hero of the holy war.
Photo from Archnet.org
Más sobre Dera Gazi Khan Tomb of Khazi Khan 1494227: Lahore Badshahi Mosque 1673-1674
This marker is part of an extended History of Islamic Architecture
Lahore, Pakistan
Badshahi Mosque
1673-1674, restored 1983
Mughal
The Badshaahi Mosque was founded by Mughal Emperor Aurangzeb (1658-1707) and completed between 1673 and 1674. The conservation work comprises the cladding of hujra fa�§ades with a veneer of red sandstone Photos and text Archnet.org.
During restoration (1983)
Text and photos from Archnet.org
Más sobre Lahore Badshahi Mosque 1673-1674229: Muziris-Kondugallur, Kerala
Kondugallur has a history (see Wikipedia for a poorly written article) It was known as Muziris to Pliny the Elder (23 -79 AD) who describes it as primum emporium Indiae.
The Greek explorer, Hippalus (1st cent BC), the discoverer of the monsoon trade winds, described this port. Roman coins have been found here in 2000.
Apparently in the 1st cent BC a small community of Jewish traders existed in Kondugallur, and there are conjectures of a much earlier presence of Jewish traders on the Malabar Coast.
So, the "legend" that Malik Ibn Dinar landed here 625 with 20 Muselmans and built the second earliest mosque after Medina, is not entirely improbable: a small mosque resembling the "palm hut of the Prophet" but of no other architectural interest. This legend assumes near certainty when one discovers that the oldest Christian settlement (52 AD) in India is in the same place. There exist a church in which St. Thomas, the Syrian founder of the Christian community is buried.
Más sobre Muziris-Kondugallur, Kerala230: Kondugallur Cheraman Perumal Juma Masjid 625 AD
This marker is part of an extended History of Islamic Architecture
Kondugallur, Kerala
Cheraman Perumal Juma Masjid
625
by Malik Ibn Dinar
At first iIt sounds silly that the oldest Islamic community in India should have been founded in 625 in this tiny village on the Malabar Coast. But then one discovers that the oldest Christian settlement (52) in India is in the same place. There exist a church in which St. Thomas, the Syrian founder of the Christian community is buried and a small mosque resembling the "palm hut of the Prophet" but of no other architectural interest.
The Cheraman Perumal Juma Masjid before a recent restoration
Photo from Wikipedia, Kondugallur
Más sobre Kondugallur Cheraman Perumal Juma Masjid 625 AD231: Delhi, Mosque of Qutb al-Din Aibak 1197-1199, 1305
This marker is part of an extended History of Islamic Architecture
Delhi, India
Mosque of Qutb al-Din Aibak
1197-1199, 1305
Mu'izzi
Quwwatu'l Islam, or 'the might of Islam' also known as Qutb Mosque, was the first mosque in Muslim Delhi, built by Qutb-ud-din Aibak, its first sultan. The mosque and its complex of associated buildings, including extensions, the Qutb Minar, several tombs, a gate, and other monuments, were built in the heart of the occupied Rajput citadel, on the ruin of twenty seven Hindu and Jain temples. The enclosure was subsequently enlarged northwards by Qutb-ud-din's successor, Shams-ud-din Ilutmish (r. 1211-36) and Ala-ud-din Khalji (r. 1296-1316).
Ruins of Qutb Mosque and the Minar.
Photo by Navin Bhatt, Panoramio
Khalji also added a gateway in the southeast, known as the Alai Darwaza. This richly decorated gate is renowned for its composition, and for being the first use of the red sandstone and white marble juxtaposition, soon to become a favorite facing device.
Photo by Arturo GarciÂa, Panoramio
The original mosque was built using the components of the Hindu temples it replaced. Columns intricately carved with Hindu motifs were used intact.
Photo by Arturo GarciÂa, Panoramio
Más sobre Delhi, Mosque of Qutb al-Din Aibak 1197-1199, 1305232: Ajmer Ardhai-din-ka Jhompra Masjid 1200-1206
This marker is part of an extended History of Islamic Architecture
Ajmer, Rajastan
Ardhai-din-ka Jhompra Masjid
1200-1206
Mu'izzi
The construction of the mosque is attributed to Qutb al-Din Aibak (1206-1210) The original mosque is thought to have been of modest proportions. The current form of the mosque is the result of the additions made between 1220 and 1229 by Shams al-Din Iltutmish (1211-1236). The mosque is made of yellow sandstone and many of the building materials are the spoils of razed Hindu and Jain temples. .
Photo by SINHA from Panoramio
Más sobre Ajmer Ardhai-din-ka Jhompra Masjid 1200-1206233: Pandua Adina Masjid 1375
This marker is part of an extended History of Islamic Architecture
Pandua, Bengal
Adina Masjid
1375
Tughluqid
In 1353 AD, Haji Shamsuddin Ilyas, the first independent nawab of Bengal, transferred his capital from the nearby (and now ruined) town of Gaur (32 km from Pandua) to Pandua. However, Pandua's glory was shortlived. In 1453 AD, the capital was transferred back to Gaur. Pandua's only celebrated building is the Adina Mosque.
Built by Sikandar Shah, the second sultan of the Ilyas dynasty, the Adina mosque is the only hypostyle mosque in Bengal. Similar in plan to the Great Mosque of Damascus, it is a rectangular, hypostyle structure, with an open central courtyard.
A series of secondary mihrabs runs along the whole western wall. In total, the 39 mihrabs, the minbar and other ornamentations are rigorously Islamic in their general conception but Hindu in almost all the details: small scalloped columns and plinths in the shape of lotus flowers, corbels, trilobate arches each with its sharp end cuspidated with a vase of flowers, volutes representing leaves, rhomboid lozenges and friezes of lotus petals. Along with the Hindu motifs, the interior of the mihrab niche is divided into panels containing the Islamic motif of the 'hanging lamp' commonly used in Bengal and is thought to be the visual representation of the Surah "Al-Nur", the light.
Triple-aisled south cloister viewed from southeastern corner of mosque
Interior columns
Central nave and main mihrab. The barrel vault has collapsed
One of the naves with "lamp" motif decorations.
Text and photos from Archnet.org
Más sobre Pandua Adina Masjid 1375234: Srinagar Shah-e-Hamadan Mosque 1395
This marker is part of an extended History of Islamic Architecture
Srinagar, Kashmir
Shah-e-Hamadan Mosque
1395
This mosque is an excellent example of indigenous wood architecture that draws inspiration from Buddhist, Hindu and Islamic architecture. Constructed by Sultan Sikandar and dedicated to the memory of Mir Sayyid Ali Hamdani, a Muslim saint from Hamadan, Persia, this mosque also serves as a khankah.
Ravaged by fire in 1480, it was reconstructed and expanded by Sultan Hassan Shah. In 1493 it was demolished and rebuilt as a two-story structure. Again in 1731 fire destroyed the mosque; Abul Barkat Khan reconstructed it.
View from the Jelum River
Main entrance to Mosque
Text and photos from Archnet.org
Más sobre Srinagar Shah-e-Hamadan Mosque 1395235: Ahmedabad Jami' Masjid 1424
This marker is part of an extended History of Islamic Architecture
Ahmedabad, Gujarat
Jamii Masjid
1424
Bahmanid
Built in 1424 by Bhamani ruler Ahmad Shah I (1411-1442), the Jami Masjid of Ahmedabad was probably the largest mosque constructed on the Indian subcontinent at the time. Conceived as part of the emperor's grandiose urban vision, the mosque lies to the south of a royal processional way that travels eastward from the Maidan-i Shah and the triple gateway known as Teen Darwaza. The central nave rises up to three stories in height and is overlooked by balconies from the central gallery enclosed by perforated screens.
Columns in the prayer hall
Interior view of the prayer hall from gallery level
Text and photos from Archnet.org
Más sobre Ahmedabad Jami' Masjid 1424236: Delhi Mausoleum of Humayun 1562-72
This marker is part of an extended History of Islamic Architecture
Delhi, India
Mausoleum of Humayun
1562-72
Mughal
Humayun's tomb is the first example of the monumental architecture that would characterize the subsequent Mughal imperial style. Commissioned by Humayun's senior widow, Haji Begam the tomb is the first grave of a Mughal emperor. Humayun's father Babur, who founded the dynasty, had requested out of piety that he be buried in a garden. Humayun's Tomb is now one of the best-preserved Mughal monuments in Delhi.
The tomb design is attributed to Sayyid Muhammad and his father, Mirak Sayyid Ghiyath (Mirak Mirza Ghiyas), Persian architects and poets active at the Timurid and later the Mughal courts.
Cross-section showing the double-shell dome. See the Mausoleum of Il-Khan �ljeitü 1307-1313 in Sultaniyya
Text and Photos from Archnet.org
Más sobre Delhi Mausoleum of Humayun 1562-72237: Fatehpur Sikri Shayk Salim Chishti Tomb 1571-1580
This marker is part of an extended History of Islamic Architecture
Fatehpur Sikri, Rajesthan
Shayk Salim Chishti Tomb, Friday Mosque Complex
1571-1580
Mughal
Fatephur Sikri, the abandoned city of Emperor Akhbar's dreams, is the most magnificent complex of Moghul India. It has an unusual foundation history
Shaikh Salim, a Chishti Sufi who lived in the village of Sikri came to imperial notice when he correctly predicted the birth of Akbar's son Jahangir. It was to honor this saint that Akbar, in 1571, established the palatial-religious complex of Fatehpur Sikri on the site of Shaikh Salim's village, making it his capital. The tomb of Shaikh Salim is of white marble, and sits in an enclosure with a pool. The entrance porch is held up by unusual, serpant-like supports. A verandah enclosed by a finely carved perforated screen surrounds the main tomb hall. At its center is the cenotaph, sheltered by a canopy decorated with mother-of-pearl. A wide marble dome covers the structure.
Text and photos from Archnet.org
Más sobre Fatehpur Sikri Shayk Salim Chishti Tomb 1571-1580238: Fatehpur Sikri, Jami Masjid 1571-1574
This marker is part of an extended History of Islamic Architecture
Fatehpur Sikri, Rajasthan
Jami Masjid
1571-1574
The mosque, known as the 'Glory of Fatehpur Sikri', on the western side of the religious and palatial complex of the city, was built by Akbar to honor Shaikh Salim, the Chishti saint. It was the largest mosque of the Mughal Empire in its time. The main entrance into its large courtyard is through the Buland Darwaza, an enormous monumental gate. A large pistaq, a type of high arched gate of Timurid origins, leads into the main prayer hall, which is finished in red sandstone and white inlay. Paint and gilt add to the intricate ornamentation. Flanking the main hall are large, pillared side wings.
View from afar
Exerior view from the east showing the arched entryway and colonnade.
Detail of the marble screens on the external wall
Text and photos from Archnet.org
Más sobre Fatehpur Sikri, Jami Masjid 1571-1574239: Fatephur Sikri Jodh Bai Palace 16th cent
This marker is part of an extended History of Islamic Architecture
Fatephur Sikri, Rajesthan
Jodh Bai Palace
16th cen
Moghul
Also known as "Shabistan-I-Iqbal" (Principal Haram Sara), it is the largest and most important zenana, or palace for the imperial women. Baths and latrines project to the south, a viaduct and splendid balcony, to the north. It has but one entrance facing east across a wide paved courtyard. It used to be connected to the Emperor's Daulat Khana, which was destroyed.
Text and photos from Archnet.org
Más sobre Fatephur Sikri Jodh Bai Palace 16th cent240: Agra Taj Mahal 1632-1648
This marker is part of an extended History of Islamic Architecture
Agra, India
Taj Mahal
1632-1648
Mughal
The Taj Mahal mausoleum was built by Shah Jahan in memory of his favorite wife Arjumand Banu Begam, better known by her title Mumtaz Mahal (d.1631), from which the name of the monument is taken. Widely recognized as the pinnacle of classical Indo-Persian architecture, the Taj Mahal is representative of Shah Jahan's interest in building and aesthetic innovation. The new architectural style includes aspects that were to influence much of subsequent Indian architecture: Symmetry along two sides of a central axis, new columnar styles, curvilinear forms, and symbolic decorations based on naturalistic plant motifs are all characteristics of the Shahjahani style that can be found in the Taj Mahal Complex. To the mausoleum's west stands a triple-domed red sandstone mosque, and to its east the mosque's jawab or compositional echo.
It seems silly to add new photographs of the fabled building to the hundreds of Panoramios already on GE. So, I'll chose some of the better ones. Here is a poetic photo by from across the Yamuna River.
Photo by joseleer Panoramio
Another photo by josleeser shows that the complex also includes an architecturally interesting mosque, which is usually cut out of the standard pictures.
Photo by joseleer Panoramio
The Mosque.
photo by Jorgen K H Knudsen Panoramio
And finally one of the best of the frontal views among the Panoramios photos.
Photo BigMoe Panoramio
Más sobre Agra Taj Mahal 1632-1648241: Delhi Jama Masjid Great Mosque 1644-58
This marker is part of an extended History of Islamic Architecture
Old Delhi, India
Jama Masjid, Great Mosque
1644-58
Moghul
The Jami Mosque is the principal mosque of Shahjahanabad, or "Old Delhi", the seventh Muslim city on the Delhi site. The mosque, like the city, was founded by Shah Jahan, its building supervised by 'Allami Said Khan and Fazl Khan. It is one of the largest in India.
Photo by ramses II, Panoramio
Interior.
Photo by by eulogio Panoramio
Dehli from the minaret.
Photo by Richard Guy Panoramio
Más sobre Delhi Jama Masjid Great Mosque 1644-58242: Guangzhou Huaisheng Great Mosque 625
This marker is part of an extended History of Islamic Architecture
Guangzhou, China
Huaisheng Great Mosque and minaret
625
Hui
Manuscripts from 1206 (Mongol Yüan Dynasty!) claim that the mosque was built by an uncle of the Prophet, Abi Waqqas, on his first Muslim mission to China in the 630s, a date which is otherwise undocumented but would make it one of the earliest mosques in Islam. Modern specialists believe it was built in the 10th cent during the Song or Tang Dynasty. Anyway, the mosque has been rebuilt many times, the minaret is the only surviving part of the original.
The very un-Chinese "Light Tower"
Interior of prayer hall: mihrab
Text and photos from Archnet.org
Más sobre Guangzhou Huaisheng Great Mosque 625243: Xi'an Great Mosque 1398 - 1980
This marker is part of an extended History of Islamic Architecture
Xian, China
Great Mosque
1368-1398, restored 1980
Hui
The present mosque was erected in 1398 under the Yüan Dynasty and has since undergone three restorations. The mosque was built on a long, rectangular site in the densely populated, residential area. The complex is based on a symmetrical, linear plan composed of five courtyards.
Text and photo from Archnet.org
Más sobre Xi'an Great Mosque 1398 - 1980244: Kashgar Aidgah Mosque 1426
This marker is part of an extended History of Islamic Architecture
Kashgar Xinjiang, China
Aidgah Mosque
1426, rebuilt in the 19th cent
Khoja Khanate
Although the mosque was probably first built in the 1440's when Islam was introduced to Kashgar, the layout and most of the built fabric date to the nineteenth century.
Text and photo from Archnet.org
Más sobre Kashgar Aidgah Mosque 1426245: Matmata
Troglytic Berber villagehttp://mw2.google.com/mw-panoramio/photos/medium/1389798.jpgHouses in the Medinahttp://www.panoramio.com/photos/original/1828547.jpghttp://www.panoramio.com/photos/original/5382823.jpg
Más sobre Matmata246: Mosque de Midoun
http://mw2.google.com/mw-panoramio/photos/medium/6189993.jpghttp://www.panoramio.com/photo/6189993
Más sobre Mosque de Midoun247: Unnamed Mosque
http://www.panoramio.com/photos/original/2938068.jpghttp://www.panoramio.com/photo/2938068
Más sobre Unnamed Mosque250: Mosque Mahboubin
http://www.panoramio.com/photos/original/3059068.jpghttp://www.panoramio.com/photo/2518850
Más sobre Mosque Mahboubin251: Unnamed Mosque
http://www.panoramio.com/photos/original/5042646.jpghttp://www.panoramio.com/photo/5042646
Más sobre Unnamed Mosque252: Mosque Fadhloun
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Más sobre Mosque Fadhloun253: Timbuktu Djingarey Ber Mosque 1327, restored 2000
This marker is part of an extended History of Islamic Architecture
Timbuktu, Mali
Djingarey Ber Mosque
1327, restored 2000
Djingarey Ber, 'the Great Mosque', is Timbuktu's oldest monument and its major landmark. The mosque is almost entirely built in banco (raw earth), which is used for mud bricks and rendering. The mosque's maintenance, consisting mainly of repairing the mud rendering, is regularly undertaken upon appeal by the imam to the population, whose contributions take the form of money, materials and labour. For a very interesting report on the recent restoration and rendering see
Archnet.org East façade and rooftop minaret of mosque
The rooftop minaret
Text and photographs from Archnet.org
Más sobre Timbuktu Djingarey Ber Mosque 1327, restored 2000254: Gao, Tomb and Mosque of Askia 16th cent
This marker is part of an extended History of Islamic Architecture
Gao, Mali
Tomb of Askia Mohammed
16th cent
Songhay
The Tomb of Askia in the town of Gao, Mali marks Islamic architecture in sub-Saharan West Africa's beginning. It is situated in one of the flourishing cities of the Sudanese caravan route. Located near the Niger River, the city of Gao became the capital of the Songhay (Songhai) Empire upon its founding in 1493 by Askia Mohammed.
The tomb itself is built of mudbrick measuring about 14 by 18 meters by 10 m high. The earthen exterior walls are distinguished by protruding toron, or stakes, of acacia wood. Such stakes bristling from the walls provide a permanent scaffolding for replastering the mud that has washed away. The tomb is enclosed within the eight-foot wall of the larger mosque complex the area of which is about 45 by 50 meters.For an additional description see
Archnet.org
Interior passage of the mosque's compound surrounding the tomb
Text and photos from Archnet.org
Más sobre Gao, Tomb and Mosque of Askia 16th cent